Hail Caesar! Follows a day in the life of Eddie Mannix, a Hollywood fixer for Capitol Pictures in the 1950s, who cleans up and solves problems for big names and stars in the industry. But when studio star Baird Whitlock disappears, Mannix has to deal with more than just the fix.Written by
As Eddie Mannix and his Secretary converse in the studio courtyard near the beginning and end of the film, a modern day surveillance camera is visible on the corner of one of the buildings. See more »
That's what happened to me when I went to Reno with Danny Kaye and he asked me to shave his back. Exact same thing. Because, I'm thinkin', who benefits? So, let me tell ya, everybody thinks that Danny's a jerk, he's not really a jerk. That's just a theory generating its own anti-theory. Anyway, there we were, it's me and Danny and I'm wondering what the hell am I doin' with a razor in my hand? And he says its for a Norman Taurog picture. But, Judy Canova's there and she knows Norman and she ...
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The movie's title "Hail, Caesar!" appears onscreen as the title of the biblical epic that Eddie is watching in dailies. See more »
Written by Nikolai Kedrov Sr. (as N. Kedrov-Elder)
Performed by Ascension Church Choir (Maloe), Moscow, Fyodor Stroganov (as F. Stroganov) & Svetlana Serafimovich (as S. Serafimovich)
Courtesy of Classical Records, Moscow See more »
From the previews of this film, I had a high level of anticipation for the Coen Brothers' latest venture, expecting it to be an hilarious and satiric romp through the halls of 50's Hollywood. The Coens are excellent technicians so the riffs on MGM, 50's Hollywood Stars, and the general machinations of the studio system were very well done. But I'm afraid the film's achievements were pretty much relegated to this dimension and overall the film remained in the category which I term "All Style and No Substance," clever but ultimately delivering a thin story. Along the way there are some wonderful bits, especially Channing Tatum singing and tap dancing in a suggestively gay sailor dance routine, Tilda Swinton playing twin columnists, Alden Ehrenreich doing some hilarious cowboy stunts on a horse and with a lasso, and Ralph Fiennes directing in a sort of prissy manner. However, none of the plot lines ever yielded anything substantive. I found it difficult to figure out just what the Coen Brothers were attempting with this film.
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