Bonanza (1959–1973)
7.1/10
61
1 user

The Lady from Baltimore 

Bitterly disappointed in her husband's financial failures, genteel matriarch Deborah Banning travels to visit her friends on the Ponderosa, hoping to turn her family's fortunes around by marrying her only daughter off to a Cartwright son.

Director:

John Peyser

Writer:

Elliott Arnold
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Cast

Episode cast overview:
Michael Landon ... Joseph 'Little Joe' Cartwright
Lorne Greene ... Ben Cartwright
Pernell Roberts ... Adam Cartwright
Dan Blocker ... Eric 'Hoss' Cartwright
Mercedes McCambridge ... Deborah Banning
Audrey Dalton ... Melinda Banning
Hayden Rorke ... Horace Banning
Victor Sen Yung ... Hop Sing
Robert Adler ... Stagecoach Driver
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Storyline

Bitterly disappointed in her husband's financial failures, genteel matriarch Deborah Banning travels to visit her friends on the Ponderosa, hoping to turn her family's fortunes around by marrying her only daughter off to a Cartwright son.

Plot Summary | Plot Synopsis

Genres:

Western

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Details

Country:

USA

Language:

English

Release Date:

14 January 1962 (USA) See more »

Company Credits

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Technical Specs

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.33 : 1
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Did You Know?

Goofs

(at about 10 mins) Melinda has tanning lines from a modern bathing suit around her left hip - visible as she's getting out of the bath tub. See more »

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User Reviews

 
"You're not going to /burn/ that tiny thing?" /klunk/
24 June 2013 | by grizzledgeezerSee all my reviews

When the wife of a good friend shows up with her beautiful daughter in tow, Ben is happy to entertain them, not knowing that the mother plans to seduce Little Joe into marrying the daughter, so the girl can have the social standing the mother never had.

This episode is worth seeing simply for Mercedes McCambridge's nuanced performance as a manipulative, domineering woman who thinks that wealth is the only way to redeem her life's disappointments. (Her distinctive, faintly mannish voice works well with such characters.) Such good performances are rare on series TV.

The script is good, too, with some sharp dialog, such as the mother telling the daughter what she has to look forward to (and how she's obliged to obtain it), and Adam telling Melinda that ranching is built on the application of pain.

This episode isn't "great drama", but it eschews the loud, cheap theatrics that often mar "Bonanza". Even Lorne Greene uncharacteristically restrains himself.


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