Peter Gunn (1958–1961)
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Peter Gunn has two questions: Where is Lieutenant Jacoby, and who kidnapped him?


Boris Sagal


Tony Barrett (teleplay), Lewis Reed (teleplay) | 2 more credits »

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Episode complete credited cast:
Craig Stevens ... Peter Gunn
Lola Albright ... Edie Hart
Herschel Bernardi ... Lieutenant Jacoby
Frank Albertson ... Capt. A.C. Clark
Will J. White ... Les
Richard Bakalyan ... Chino Amalo
Pete Candoli ... Dean
Don Diamond ... Manuel - Lounge Piano Player
John Lawrence John Lawrence ... Bert Fisher
Morris D. Erby Morris D. Erby ... Sergeant Davis (as Morris Erby)
Carmen Phillips ... Mary Whitney
Perry Ivins Perry Ivins ... Doctor Gorse
Jeanne Tatum Jeanne Tatum ... Waitress
Dick Crockett Dick Crockett ... Lew Baxter
Angus Duncan Angus Duncan ... First Officer


Peter Gunn has two questions: Where is Lieutenant Jacoby, and who kidnapped him?

Plot Summary | Add Synopsis


Action | Crime | Drama | Mystery







Release Date:

16 November 1959 (USA) See more »

Company Credits

Production Co:

Spartan Productions See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.33 : 1
See full technical specs »

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User Reviews

Cutting Edge Episode
28 November 2017 | by dougdoepkeSee all my reviews

Speedy episode that's also cutting edge for its time. Jacoby's kidnapped to prevent the kidnapper's brother from going to the chair at midnight. So, Pete, with his contacts, has got to hustle for Jacoby's sake. Note the bold touches for 1959--- a Black cop with authority, a Liz Taylor look-alike wanting masochistic sex, a trumpet horn hiding Pete's face. Then, of course, there are the staples-- -cool urban jazz and implied non-marital sex between Pete and Edie. Thanks to episodes like this, the series amounts to a milestone evolving out of the conformist 1950's.

And catch cast presence of legendary trumpeter Pete Candoli. Too bad he doesn't get more tooting time (may have been a budgetary concern). Also, good to see 50's juvenile delinquent Richard Bakalyan picking up a payday. Note too, how Pete steps outside his urban boundaries even if the woodsy exteriors are a studio set. And finally, I'm glad Edie gets a chance to put off Pete's romantic advances since he's always doing it to her so he can chase off on a case. Anyway, in my book it's a revealingly superior episode from a classic series.

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