The Twilight Zone (1959–1964)
19 user 7 critic

The Four of Us Are Dying 

A man who can change his face to look like other people uses his ability to improve his life, regardless of his effect on others.


John Brahm


Rod Serling (teleplay by), George Clayton Johnson (based on a short story by) (as George Johnson)

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Episode complete credited cast:
Harry Townes ... Arch Hammer
Phillip Pine ... Virge Sterig
Ross Martin ... Johnny Foster
Don Gordon ... Andy Marshak
Harry Jackson Harry Jackson ... Trumpeter
Bernard Fein Bernard Fein ... Penell
Peter Brocco ... Mr. Marshak
Milton Frome ... Detective
Beverly Garland ... Maggie


Arch Hammer arrives in the city and checks into a seedy hotel. He looks like any other man but looks can be deceiving. Hammer has the ability to change his appearance at whim, a trick he definitely uses to his own advantage. He takes on the appearance of the recently deceased musician Johnny Foster. who died in a car accident. He goes to meet Maggie, a lounge singer who is mourning Foster's death, and convinces her to run off with him. He then takes on the appearance of Virge Sterig, a gangster whose bullet-riddled body was recently found in the river. He then visits mob boss Penell who double-crossed him to get his share of the money their most recent job. An unplanned change of face doesn't go over well, however. Written by garykmcd

Plot Summary | Add Synopsis








Release Date:

1 January 1960 (USA) See more »

Also Known As:

The Four of Us Are Dying See more »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.33 : 1
See full technical specs »

Did You Know?


This is the first instance in where Phillip Pine's character's identity is usurped. The second being The Outer Limits: The Hundred Days of the Dragon (1963). See more »


When Maggie is shown singing at the piano, her microphone is clearly not plugged in. The socket where the cord would go is visibly empty. See more »


Andy Marshak: How do I know you?
Pop Marshak: How do you know me? A son should know his father. What kind of game are you playing, Andy?
Andy Marshak: I'm your son?
Pop Marshak: You were. You were before you ran out. You were before you broke your mother's heart. Before you did dirt to a sweet decent little girl who would've cut off an arm for you. But now you ain't my son. Now you ain't nothin' to me. You're nothin'. I hate your guts. Do you hear me? I hate your guts.
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Too Marvellous For Words
Written by Johnny Mercer and Richard A. Whiting
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User Reviews

It's quite emotional
10 July 2018 | by ericstevensonSee all my reviews

This episode shows a guy who can change the appearance of his face at will. They also apparently change his voice too. This doesn't seem to go to his whole body. He does however need to have a clear image of someone to shapeshift. The best part is probably in the middle where it shows him taking on the appearance of this guy who abandoned his father. This is really a very emotional scene.

We don't know much about the father, but we still get a lot developed in a short time. It's hard to feel sympathetic for someone who manipulates everyone else. You do have to tune in to the end for it to be truly rewarding. Trust me that it is. It's not one of the highest rated episodes here, but I still loved it. It's still enough for an anthology series. ***1/2

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