Lewis is a brilliant inventor who meets mysterious stranger named Wilbur Robinson, whisking Lewis away in a time machine and together they team up to track down Bowler Hat Guy in a showdown that ends with an unexpected twist of fate.
Stephen J. Anderson
A modern day retelling of the classic story The Frog Prince. The Princess and the Frog finds the lives of arrogant, carefree Prince Naveen and hardworking waitress Tiana crossing paths. Prince Naveen is transformed into a frog by a conniving voodoo magician and Tiana, following suit, upon kissing the amphibian royalty. With the help of a trumpet-playing alligator, a Cajun firefly, and an old blind lady who lives in a boat in a tree, Naveen and Tiana must race to break the spell and fulfill their dreams.Written by
The Massie Twins
Ron Clements was at the New Orleans Jazz & Heritage Festival when he got caught in a downpour and took cover under a table. Clements later added the scene in the bayou, in which Tiana and Prince Naveen get caught in the rain. See more »
On several occasions (particularly in "Almost There" and at the ball), there are numerous people either drinking or holding glasses of wine or champagne. This movie is set primarily in the 1920s. The possession and sale of alcohol in the United States was illegal between 1919 and 1933, because of the 18th Amendment (Prohibition), though Prohibition was widely disregarded, especially in New Orleans. See more »
[telling a story to Tiana and Charlotte]
"Just at that moment, the ugly little frog looked up with his sad, round eyes and pleaded, 'Oh, please, dear princess! Only a kiss from you can break this terrible spell that was inflicted on me by a wicked witch!'"
Here comes my favorite part.
"And the beautiful princess was so moved by his desperate plea that she stooped down, picked up the slippery creature, leaned forward, raised him to her lips, and kissed that little frog."
[...] See more »
2D Animation is Back! Blue Skies and Sunshine Guaranteed!
The Princess and the Frog is one of the most highly anticipated films of the year. It marks Walt Disney Animation Studio's return to 2D animation, to recapture the era of amazing movies like The Little Mermaid, Aladdin and Beauty and the Beast – timeless tales that have reached audiences across the world. However, unlike these previous movies, The Princess and the Frog does something new. It's an updated take on the classic fairy tale, set in Jazzy New Orleans filled with witch doctors, Maldonian princes, southern lovesick daughters, Jazz playing alligators and even Cajun fireflies! In the midst of all this jazz is Disney's first black princess, Tiana, and her story.
Tiana is a young girl who wants to follow her father's dream and open up her very own restaurant. She works hard, never taking a chance on Prince Charming to sweep her off her feet - she is a realist Disney 'princess' - and that makes her stand apart from the rest. And speaking of breaking from tradition, Prince Naveen is another fresh take on the classic Disney prince. He gets a fair amount of screen time and shows us that princes are more than just stuffy suits. The pair has great chemistry as frogs and their intertwining journey is full of laughs and heart tingling moments sprinkled with some good old Disney magic. Disney Animation Studios has pulled it off again; they have conjured up something fresh and new and have made it entertaining. Perhaps we can expect greater things for the future because this is a pretty good start.
One of the strongest aspects of this musical is, of course, the music! Randy Newman has provided an array of songs, from bouncy piano songs to gospel to Broadway. There is no one single style of music and Newman serves up a diverse platter accompanied by stunning animation. There are several songs in the movie, perhaps more than needed, but all catchy while bringing a yet another flavor to New Orleans. The downside to these songs is that they are many, short and have the task of pushing story. Their presence feels like designated intervals, sometimes jarring up moments which could have been executed wonderfully without any song.
Pacing and story are the main challenges The Princess and the Frog faces. Too much happens and it happens too fast. There is an engaging plot, obstacles are overcome through action and songs also push the story forward. This leaves us very little time for dwelling in scene. I personally think this is why the movie doesn't feel quite up to par with The Little Mermaid, Aladdin, Beauty or The Lion King – there are very few moments which rely on deeper truths or engage with characters' inner struggles and relationships. I wish the directors would have slowed down and let us have a bit more interaction rather than relying on action and songs to advance plot. Also, some crucial events relied on coincidence when they could've been worked into the plot more skillfully. Despite these minor drawbacks, the Princess and the Frog still delivers an entertaining story.
Personally, I think the darker a Disney film is, the more interesting it will be. It lends a sense of reality and tells me that despite its catchy songs and humor, the movie takes itself seriously. Princess and the Frog definitely takes itself seriously. One of the main reasons I wanted to see this film was because of Dr. Facilier. He makes the film tastefully dark and shows us that even a Disney story can chill audiences. The voodoo world is intoxicating, full of intrigue and Facilier's theme song tells us he is a villain with style rivaling the likes of Jafar or Scar. However, unlike the previous villains, Facillier doesn't constantly trump the heroes after his first appearance. Villains kind of get a backseat in the movie - some people might not like this so beware!
Despite its darker side, the movie is surprisingly funny and downright hilarious. Like the old classics, the movie is timeless in a way. It doesn't reference any modern pop culture. There are lots of things that made audiences laugh, some more than others. There is no one type of humor strung throughout the whole film. Without giving anything away, I would also like to say the humor gets pretty risqué at times but it's welcoming because it tells us Disney is not excluding anyone from the audience.
There are some very spectacular moments of animation in this film. The characters are drawn in the 90's classic Disney style and don't have extremely stylized or exaggerated features that we've seen in later works like Emperor's New groove or Home on the Range. This blast from the past is a breath of fresh air. 2D animation is here to stay.
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