Enduringly traumatized by the disappearance of her 3-year-old daughter 15 years ago, Julia Sandburg has cut herself off from anyone once near and dear to her, including her husband Doug and...
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Enduringly traumatized by the disappearance of her 3-year-old daughter 15 years ago, Julia Sandburg has cut herself off from anyone once near and dear to her, including her husband Doug and her son Chris, who tried for years to penetrate her wall of isolation and despair, without success. But when Julia meets Louise, a troubled young woman with a checkered past, all Julia's old psychic wounds painfully resurface, as does her illogical and increasingly irrational hope that Louise may be the daughter she lost so long ago.Written by
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When Julia's co-worker brings her a coffee to try out from his new coffee machine, he places it on her desk. The shot changes to him a few seconds later. When back to her, the coffee cup is turned 180 degrees - the handle is on the other side, the computer mouse is moved, and a stack of papers near her planner is moved. She did not move all of these things in those few seconds because she is holding some papers that she was reading when he walked into her office. See more »
It has few basic virtues. who does it special, against the low budget. first - it has a great story. who is more than a good one because each parent from public feels the posible if in its bitter nuances. second - it is a film of doubts. not the last - it has the chance of admirable actors, Sigourney Weaver giving a moving portrait . and not only she. it is a drama and, at first sigh, all could be familiar. but it is one of film proposing all the angles for discover the intensity of story. and that, maybe, does it real special.
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