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Quell and Co. (1982)

Showdown at Eagle Gap (original title)
| Western
Wicked land mogul threatens group of Texas homesteaders in post-Civil War western.


William Witney


Luke Hammer, Berle Adams (idea)


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Cast overview:
Madison Mason ... Quell
Rockne Tarkington ... Enterprise Jackson
Petrus Antonius ... Paco Romero
Skip Homeier ... Alexander Kirk
Cherie Lunghi ... Angela Richardson
Ulrich von Dobschütz Ulrich von Dobschütz ... Dr. Hedrick
Mike Moroff ... Birnham
Leopoldo Salazar Leopoldo Salazar ... Soldado
Roger Cudney ... Ames
Pilar Pellicer Pilar Pellicer ... Señora Romero
Adriana Parra Adriana Parra ... Pilar Romero
Luz María Peña Luz María Peña ... Maria
William Witney William Witney ... Sheriff (as W.B. Whitney)


A western set in Texas in the years after the Civil War. Quell is the leader of a group of honest homesteaders who attempt to right the wrongs that come their way. But when a nasty land mogul by the name of Kirk begins to get out of line by treating the innocent people of the frontier cruelly, he becomes the group's primary target. Whether it's with harsh words or flying fists, Quell and company are the West's most formidable levelers of justice. And nobody, not even the vicious, tyrannical land baron, can stop them from making things right. Written by Echo Bridge Home Entertainment

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USA | West Germany | Mexico



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Quell and Co. See more »

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Final film of director William Witney. See more »

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User Reviews

What's the lowdown on "Showdown"?
23 December 2007 | by jackcadeSee all my reviews

Until recently, "Showdown at Eagle Gap" (aka Quell and Co.) did not show up in any William Witney filmography, not even the one in his own autobiography. My thanks to Francis M. Nevins for his insights into this film, a German-US co-production which received minimal release. In fact, I completely failed to recognise that Witney, the man himself, has a touching cameo at the very end of the film. He (pseudonymously) plays a sheriff who checks in on Quell and his two friends and he wishes them good luck when he salutes them as if giving them a blessing. Mr Nevins pointed out to me as well that it was fitting that Witney's first and last films centred on western trios, a mainstay of classic B grade westerns. His first feature film as a director was the excellent action-packed Three Mesquiteers entry, "The Trigger Trio". I have previously written that this was "an unusually bland film for Witney, but a lesser Witney film is still pretty good. It is an engrossing yarn rather typical of 1970s American television." I stand by those comments, but Mr Nevins' insights have me enjoying "Showdown at Eagle Gap" in different ways. If you like Witney's pictures or westerns in general, it is worth checking out.

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