Rémy, a young Parisian with an unskilled job. Mélanie, a young she-Parisian who works in scientific research. Two depressive moods living in close proximity but strange to each other. Shall the two ever meet?
Since his beloved violin was broken, Nasser Ali Khan, one of the most renowned musicians of his day, has lost all taste for life. Finding no instrument worthy of replacing it, he decides to confine himself to bed to await death.
Maria de Medeiros
In this TV movie, a classic mystery is updated and relocated to a glamorous world of London socialites and secret agents, introducing two unique and compelling investigators and taking us through to the highest corridors of power.
Oliver Ford Davies,
When Guillaume has the bizarre idea of inviting his ex-wife Aude to a family reunion at the luxurious coastal estate of his wealthy Aunt Camilla, his tempestuous new wife Caroline becomes filled with rage. Guillaume hopes that they'll become friends but the two women despise one another. But things turn ugly when Camilla is found dead in her bedroom - and only the trusty Inspector Bataille can put together the pieces. But as the Inspector untangles her mysterious death, he also begins to unearth dark family secrets, brewing jealousies, and perhaps even a murderer in their midst.Written by
Towards Zero is not one of Agatha Christie's more famous novels, but for a murder mystery lover it is almost an essential read. It has been several years since I read it, but I very distinctly remember how much I enjoyed it as well as the plot and the substantial twist.
This French movie adaptation is set in present day Bretagne, but other than that remains - rather surprisingly - true to the book, more so than, for example, the Diana Rigg version of Evil Under The Sun. All important plot points remain intact. Not that this in itself signifies a great movie. Au contraire, vraiment - while the cinematography, setting, music and pacing are more or less good, many of the actors overact their characters to the point of becoming caricatures instead. The shrewish wife or the maid (vaguely reminiscent of Nancy Walker's Yetta in Murder By Death, nevertheless wholly unsuitable for a serious murder mystery) are best examples of this. Danielle Darrieux is, quite unsurprisingly, not among those, and her much too brief appearance as Aunt Camilla is the only real performance in the picture. François Morel as the detective comes close to one, but not quite close enough.
Final verdict: Entertaining murder mystery with some hammy performances, fast pacing and a great twist by Dame Agatha herself. Also useful as a French listening comprehension practice, especially if you're as lucky as I am and your copy lacks subtitles.
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