In the forests of the Pacific Northwest, a father devoted to raising his six kids with a rigorous physical and intellectual education is forced to leave his paradise and enter the world, challenging his idea of what it means to be a parent.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes according to plan.
It's a post-apocalyptic world, several years after whatever the cataclysmic event, which has in turn caused frequent quakes as further potential hazards. The world is gray and getting quickly grayer as more and more things die off. A man and his pre-teen son, who was born after the apocalypse, are currently on the road, their plan to walk to the coast and head south where the man hopes there will be a more hospitable environment in which to live. The man has taught his son that they are the "good people" who have fire in their hearts, which in combination largely means that they will not resort to cannibalism to survive. The man owns a pistol with two bullets remaining, which he will use for murder/suicide of him and his son if he feels that that is a better fate for them than life in the alternative. Food and fuel are for what everyone is looking. The man has taught his son to be suspect of everyone that they may meet, these strangers who, out of desperation, may not only try to ...Written by
The U.S. release date was postponed from November 26, 2008, to October 16, 2009, to allow for additional post-production work. The 2009 release date was further delayed to November 25, 2009, to position the picture for Academy Awards competition. See more »
The sheer quantity of people that the man and boy encounter is absurd. If the majority of people worldwide are deceased, then the Americas, where the film is set, would be nearly depopulated. They should have not encountered many, if any, people simply because the survivors would either be in isolated town or cities or they would be holed in remote rural areas. SInce the two largely avoid the former and the size of the latter precludes easy visitation, they shouldn't have run into anyone for most, if not all , of the film. See more »
"We are not gonna quit. We are gonna survive this." The Man
Survival is the ultimate motif of the Cormack McCarthy Pulitzer The Road. And so too is the film adaptation, faithful to the original while adding what McCarthy can't—the actualization of a landscape barren of life and humans barren of humanity. Then again, the film's failure is being even bleaker than the source, a testimony to the power of the imagination.
Except for a father (Viggo Mortensen) and young son (Kodi Smit-Mcphee), who represents the hope of the human race as the story assumes the trappings of allegorical, post-apocalyptic literature and film where the desolate outside mirrors the lonely inside of the humans, not all of whom are willing to carry on the good fight. Suicide becomes a leitmotif, a companion to hope as if out of a Bergman film, an escape from the horrible aftermath of devastation never explained. So much the better because allegorically there are numerous ways for us to ruin our earth and our spirits. Not the least of which could be nuclear or cannibal; the former does not make an appearance while the latter is omnipresent.
Director John Hillcoat has emphasized more than McCarthy the role, by flashback, of the wife/mother (Charlize Theron), but overall he has taken dialogue directly from the novel and stayed true to the bleak landscape where the sun doesn't shine and the trees fall intermittently like humans giving up the ghost.
The gray tones and beat up humans are like those in most post- apocalyptic films; however, as in Children of Men to a lesser extent, the focus is on how to survive, not even how to avoid death. In both cases, it's up to the young ones to "carry a fire' (the mantra of The Road), itself a metaphor for the strength to survive:
"Everything depends on reaching the coast. I told you I would do whatever it takes." The Man
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