In the forests of the Pacific Northwest, a father devoted to raising his six kids with a rigorous physical and intellectual education is forced to leave his paradise and enter the world, challenging his idea of what it means to be a parent.
It's a post-apocalyptic world, several years after whatever the cataclysmic event, which has in turn caused frequent quakes as further potential hazards. The world is gray and getting quickly grayer as more and more things die off. A man and his pre-teen son, who was born after the apocalypse, are currently on the road, their plan to walk to the coast and head south where the man hopes there will be a more hospitable environment in which to live. The man has taught his son that they are the "good people" who have fire in their hearts, which in combination largely means that they will not resort to cannibalism to survive. The man owns a pistol with two bullets remaining, which he will use for murder/suicide of him and his son if he feels that that is a better fate for them than life in the alternative. Food and fuel are for what everyone is looking. The man has taught his son to be suspect of everyone that they may meet, these strangers who, out of desperation, may not only try to ...Written by
A CGI aerial shot, which also appears in the trailer, is a digital re-creation of destruction by Hurricane Katrina to Empire, Plaquemines Parish, Louisiana. The shot shows large, twin boats on a highway in front of a bridge over the Empire Lock on Louisiana State Highway 23. In the movie rendering, a large city skyline appears on the horizon, where, in actuality, there would be only the rural peninsula of Plaquemines Parish. See more »
If, as the film proposes, all plant life is dead, then human life would have soon followed it. SInce plants filter carbon dioxide from the atmosphere, then a lack of plants would allow for the increase of that CO2. And since the the unknown disaster appears to have been the result of a supervolcano, the additional CO2 would be accompanied by the gases from the volcano making the atmosphere even more toxic. See more »
The Road (1:50, R) — Science Fiction, 3rd string, original
Among the first words spoken in The Road (adapted from Cormac McCarthy's novel) are "It's just another earthquake.". That's supposed to be reassuring.
It's a bleak, devastated, post-apocalyptic world leached of everything: color, sounds, names, sunshine, warmth, joy, hope. Thru it trudge The Man (Viggo Mortenson) and The Boy (Kodi Smit-McPhee), slowly and painfully making their way to "the coast", where maybe things will be marginally better. Who can say? But what else is there?
Along the way they encounter The Gang Member (Garret Dillahunt, still as creepy and frightening as he was in The Sarah Connor Chronicles and The Last House on the Left), The Road Gang Leader (Brenna Roth), The Old Man (Robert Duvall), The Thief (Michael K. Williams), and The Veteran (Guy Pearce) and his woman (Molly Parker). In flashbacks to an achingly lost former life, we see The Wife (Charlize Theron).
And really, once you've named the names, you've pretty well covered the movie. The name of the game is Survival, tho none can say what the point of it is. The food is gone, and clearly no more will be growing. Humans are apparently the only animals to survive the unnamed global disaster, so they represent the sole remaining, rapidly dwindling source of protein. The voices you hear approaching are not the Red Cross.
Some choose not to play. The Wife, after some low-energy soul-searching, goes the ancient-Eskimo route. "She was gone," The Man remembers, "and the coldness of it was her final gift."
Others persevere for no cogent reason. "DId you ever wish you would die?", The Man asks. "No," The Old Man replies, "it's foolish to ask for luxuries in times like these."
The Man and The Boy have 1 gun with 2 bullets left; they are not being reserved for potential assailants. In some of the movie's most agonizing scenes, we see The Man explain not only what must be done but why.
I walked into this movie 10 hours after leaving the theater where Avatar splashed the screen with color, motion, activity, purpose, a 3rd dimension, and a superb sound track. It is difficult to imagine 2 more disparate films in terms of tone and atmosphere. But both are extremely effective at making their respective worlds seem completely real.
The movie is unremittingly grim and completely believable. It doesn't pull its punches or sell out. It will haunt you. It's unlikely that anyone else will ever make another movie that treats the end of the world so realistically, so if you want to see the standard against which all others will be compared, this is your chance.
Stay away if you're depressed or prone to it, and avoid razor blades for 12 hours afterward.
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