Peppino is an aging taxidermist constantly ridiculed for being short and somewhat creepy. He meets Valerio, a handsome young man fascinated by Peppino's work. Peppino, in turn, becomes ... See full summary »
Vittorio is looking for a woman who matches his ideal. Through a classified ad he meets Sonia, a sweet, pleasant, intelligent girl. However, she weighs 125 pounds -- which according to ... See full summary »
"Gomorra" is a contemporary Neapolitan mob drama that exposes Italy's criminal underbelly by telling five stories of individuals who think they can make their own compact with Camorra, the area's Mafia.Written by
The scene where Pasquale sees Scarlett Johansson on TV wearing one of the tailor's dresses is based on a factual item from the book. However, the celebrity in question was Angelina Jolie at the Oscars. Matteo Garrone was unable to obtain that footage so used images of Johansson at the Venice Film Festival in 2006 instead. See more »
At the beginning of the movie you can clearly see the character named Amerigo belly moving, when his dead body remains on the chair, where he has been having his nails cut. See more »
Just back from seeing this. Still a bit shell-shocked. First impressions that it's up there with the very best. The last scene in particular was worthy of Bunuel at his most vengeful. Yes, it's in that league. Very tough indeed. Not a trace of sentiment. Entirely plausible performances. Taut and highly original direction, documentary style. Some of the set locations are just jaw dropping - be they natural or man-made. Some brilliant touches - shots panning back to reveal an entirely different context, the camera lingering on facial expressions of those left behind by the action, or on fear, or shock. A devastating commentary on life amongst the poor in modern Italy, this is as far removed from even the best Hollywood gangster movies as it is possible to imagine. The only American comparison might be with Scorsese's "Mean Streets" - but there you are invited to empathise with characters (especially the one played by Harvey Keitel) and it is still possible to romanticise De Niro's depiction of Johnny Boy. There are no such avenues offered here. The traditional gangster movie denouement is contemptuously thrown away in the first five minutes. Not for the fainthearted but if you appreciated Bunuel's "Los Olividados" or "Pixote" or "Salaam Bombay" then this is for you.
113 of 182 people found this review helpful.
Was this review helpful to you?
| Report this