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Hanna (2011)

PG-13 | | Action, Drama, Thriller | 8 April 2011 (USA)
Trailer
2:02 | Trailer

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A sixteen-year-old girl who was raised by her father to be the perfect assassin is dispatched on a mission across Europe, tracked by a ruthless intelligence agent and her operatives.

Director:

Joe Wright

Writers:

Seth Lochhead (screenplay), David Farr (screenplay) | 1 more credit »
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Popularity
1,532 ( 173)

Through the Lens of 'Darkest Hour' Director Joe Wright

See how director Joe Wright uses his signature tracking shots to set up a visual narrative for his films, including Atonement, The Soloist, and Hanna.

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8 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
Saoirse Ronan ... Hanna
Eric Bana ... Erik Heller
Vicky Krieps ... Johanna Zadek (as Vicky Kreips)
Cate Blanchett ... Marissa Wiegler
Paris Arrowsmith ... CIA Tech #1
John Macmillan ... Lewis
Tim Beckmann ... Walt
Paul Birchard Paul Birchard ... Bob
Christian Malcolm Christian Malcolm ... Head of Ops
Jamie Beamish ... Burton
Tom Hodgkins Tom Hodgkins ... Monitor
Vincent Montuel Vincent Montuel ... Camp G Doctor #1
Nathan Nolan ... Camp G Doctor #2
Michelle Dockery ... False Marissa
Jessica Barden ... Sophie
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Storyline

Hanna (Ronan) is a teenage girl. Uniquely, she has the strength, the stamina, and the skills of a soldier; these come from being raised by her father (Bana), an ex-CIA man, in the wilds of Finland. Living a life unlike any other teenager, her upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity. Written by Focus Features

Plot Summary | Plot Synopsis

Taglines:

Innocence can be deadly. See more »

Genres:

Action | Drama | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of violence and action, some sexual material and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | UK | Germany

Language:

English | French | German | Italian | Arabic | Spanish

Release Date:

8 April 2011 (USA) See more »

Also Known As:

Hanna See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$12,370,549, 10 April 2011, Wide Release

Gross USA:

$40,259,119, 7 July 2011

Cumulative Worldwide Gross:

$63,782,078, 7 July 2011
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Ronan escapes from an underground base. Similar to her other movie City of Ember (2008) where she lives in an underground world. She also stars in Lost River (2014) about a city under a lake. See more »

Goofs

When Rachel is driving and talking to Hanna, the sun is outside Rachel's window but in the reverse shots the sun is outside Hanna's window as well. See more »

Quotes

[first lines]
Hanna: I just missed your heart.
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Crazy Credits

Words are spoken during the credits. At the end of the first song: "Music: A combination of sounds with a view to beauty of form and expression of emotion". And after the end credits: "Schlaf weiter" (sleep on). See more »

Connections

Referenced in Ebert Presents: At the Movies: Episode #1.13 (2011) See more »

Soundtracks

Give It to Me
Written by Cordel Burell (as Cordel Burrell) and Cécile Charlton (as Cecile Charlton)
Performed by Cécile Charlton (as Ce'Cile)
Courtesy of Greensleeves Records, Ltd
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Frequently Asked Questions

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User Reviews

 
Bad storyline coupled with great direction / camera / sound. Technically brilliant.
18 June 2011 | by linustcrSee all my reviews

A 'different' movie. Bad storyline coupled with great direction / camera / sound. Technically brilliant. The net result is quite enjoyable. One does have to suspend disbelief to take in the gaps in logic, but once you do that, it's a good ride.

The entire movie is in effect a large chase, and the direction has brought about this element superbly. The camera work and sound kept me glued.

There seems to be quite a few reviews that talk of all the gaps in logic and reasoning in the movie. They are all true, but I found the high levels of technical brilliance more than made up for it.

In the end, not a 'great' movie, but one that I nevertheless quite enjoyed.


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