Yang, the world's finest swordsman, packs it in and leaves Japan to find an old friend in the Wild West rather than kill the infant queen of a rival clan. He carries the baby to his friend's desolate, broken-down town; the friend has died, so Yang reopens a laundry and settles down, hanging wet clothes, growing flowers, raising the infant, and finding himself attracted to Lynne, a red-haired woman with a tragic past. As long as Yang keeps his sword sheathed, his rivals won't find him, but a band of reprobate gunmen terrorize the town and threaten Lynne. Showdowns are inevitable, but once the sword is drawn, can Yang find rest, a home, and a family?Written by
When the townspeople are waiting for the colonel and his men to arrive, they are all dressed in nicer clothes. Ron is wearing a black bandanna around his neck that disappears during the battle. See more »
Okay, you settled down? You got your ears open?
This is the story of the sad flute, a laughing baby, a weeping sword. A long long time ago, in a land far far away, there lived a warrior. A warrior with empty eyes.
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Never ceases to amaze me how a movie can move an audience in polar opposite ways. It's probably the expectations - so if you go in to have some escapist fun, action and swordplay, you won't be disappointed.
So, why will I be happy to rewatch this grossly underrated movie that's avoided me for the first four years of its life tsk tsk: a simple story combining the Seven Samurai and Silas Marner (kinda), intoxicating mix of humor, gorgeous grotesqueness and visual splendour . . . and a love story that did not force itself on the surreal action thread.
One of the hallmarks of a good film has to be how much love a writer director puts into the details and in this, it is clear Lee Sngmoo has nurtured this baby for a while: superb production, lovely setups and payoffs.
Oh, make my decade and give us a sequel already!
Amazing for a first time director. Bravo! Bravo!
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