In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
Carl Fredricksen as a boy wanted to explore South America and find the forbidden Paradise Falls. About 64 years later he gets to begin his journey along with a Boy Scout named Russel by lifting his house with thousands of balloons. On their journey, they make many new friends including a talking dog and figure out that someone has evil plans. Carl soon realizes that this evildoer is his childhood idol.
Russell's Wilderness Explorer sash has several in-jokes and tributes. The most obvious is a Luxo Jr. (1986) ball, which can also be seen on the floor of the room of a girl watching Carl's house float by. One badge has a hamburger with a candle in it. This is a nod to Merritt Bakery in Oakland - which creates cakes in that shape - a favorite hangout of director Pete Docter and producer Jonas Rivera. Another badge is a tribute to 2-D animation, showing a perforated paper that is used by 2D animators to line up their drawings correctly. He also has badges for First Aid and Second Aid, which may be a reference to a short on the Up website where Russell struggles to apply bandages to Carl. Yet another badge depicts a multicolored pinwheel - the "hang" icon of Apple's Mac OS X operating system. Several of the badges are shown in the credits. An additional tribute to Apple and Steve Jobs (former CEO of Pixar) shows Russell trying to teach Carl how to use a computer. The font used for the numbers on Carl's alarm clock is the "Chicago" font, one of the first fonts designed for the Macintosh. See more »
In the title scene where young Carl Fredricksen is running with his balloon in the hand and smashes at the tree. The tree's shadow is missing behind and only young Carl has his shadow, as if he's floating in air. See more »
Movietown News presents, "Spotlight on Adventure." What you are now witnessing is footage never before seen by civilized humanity: a lost world in South America. Lurking in the shadow of majestic Paradise Falls, it sports plants and animals undiscovered by science. Who would dare set foot on this inhospitable summit? Why, our subject today, Charles Muntz!
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The closing credits are presented as text typed in a scrapbook, with photographs and mementos taped onto the pages. See more »
I was lucky enough to get a ticket to a special pre-release screening of Up at Pixar studios in Emeryville, organized by the San Francisco Film Society. After a hour-long reception in the atrium of their beautiful main building we went through some rigorous security (metal detectors!) and were treated to an hilarious short (Partly Cloudy) and Pixar's new high water mark, Up.
My favorites to date have definitely been Wall-E and the Incredibles, and Up is another slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carl's life that opens the movie is the bass note that resonates through the whole film and is at least as affecting as the scene in Wall-E when he holds his own hands while watching Hello Dolly. The rest of the movie, of course, is breathtaking on just about every level, especially the tactile quality of all the characters and textures and the completely realized weather effects and action scenes. With no "new" technical milestones (fur in Monsters, Inc., water in Finding Nemo, realistic camera effects in Wall- E), the design is the main focus, from the hilariously stylized characters to the amazing setting of the tepui.
As the associate producer who participated in the Q&A following the movie pointed out, the past three Pixar movies have not been easy sells to their parent company Disney (they'll be back in familiar territory with Toy Story 3 and Cars 2), but Pixar's commitment to inventive, story-driven films continues to pay off here. All of the good press is true, and I can't wait to see it again. Thanks for staying true to yourselves Pixar!
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