Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes according to plan.
Three high school friends gain superpowers after making an incredible discovery underground. Soon they find their lives spinning out of control and their bond tested as they embrace their darker sides.
Michael B. Jordan
To celebrate Rob's massive promotion, his lover, Beth, and friends, decide to throw a massive surprise farewell party, now that he is about to move to Japan. However, a deafening explosion and the arrival of an enormous scaly and gangly creature will abruptly interrupt the festivities, as all hell breaks loose in New York City, and the Statue of Liberty is decapitated. As the reptilian behemoth levels Manhattan, a daring dash to rescue Beth begins, while at the same time, everything is recorded through the lens of a hand-held camcorder, amid mayhem and destruction. In the end, where did this relentless invader come from, and above all, is there a chance of survival? As they go to investigate, an adventure deep into the streets of New York begins, as the friends are determined to rescue Rob's true love.Written by
J.J. Abrams has used the number 47 extensively on past projects. In Alias (2001) it played great importance as a page on Rambaldi's manuscript, and as a recurring pointer to important motifs. It should come as no surprise that "Cloverfield" is the designation to the case of the images found on Area US-447. Also, in the scenes where they're taking the stairs up to the top of the skyscrapers to save Beth, one of the floor numbers filmed is the 47th. See more »
During the subway tunnel scenes, Rob's shirt seems to clean itself. At first it is dirty and sweat stained, then it is relatively clean, and then it is dirty again. See more »
It's 6:42 AM. Beth's dad's place. He's out of town. And it's already a good day.
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The title of the film "Cloverfield" does not appear on screen until the ending credits. See more »
Some people have derisively compared this film to The Blair Witch Project because it was all told from the point of view of someone's shaking camera. Unless you have motion sickness, I don't think that's a bad thing. What matters is who's in front of the camera. While The Blair Witch Project featured annoying people screaming at each other, this movie actually made me care about the characters. In fact if it had continued with the romantic drama tone established during the first half hour, I STILL think it would have been worth watching and that's the biggest compliment I can give it.
Of course people will be watching this movie for the visceral pleasure and Colverfield delivers. Many thrilling visual and sound effects wowed me (there were a few times I yelled out in shock at a sudden scare). Any horror film will also benefit from a sense of entrapment and this movie pulls off the seemingly impossible feat of making New York City seem claustrophobic because there was seemingly nowhere to hide from the monster.
What is the monster? Whatever it is clearly is meant to be an allegory for the carnage 9/11 inflicted on New York, much the same way Godzilla was meant to be an allegory for the damage inflicted on Japan by the atom bomb. There are moments seemingly recreating the documentary footage from 9/11, and they give the film verisimilitude. Touching upon real life horror, plus creating characters that we can relate to and care about, and assaulting our senses with incredible sights and sounds leads to entertainment worth watching many times over. Perhaps the 80 minute run time will bother some people, but on the other hand I think that's better than a film wearing out its welcome. Great job J.J. Abrams and company!
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