Criminal Minds (2005– )
6.8/10
1,930
3 user

House on Fire 

When the kill count of a mass-murdering arsonist active in a small town reaches 31, the BAU are called in.

Director:

Félix Enríquez Alcalá (as Felix Alcala)

Writers:

Jeff Davis (created by), Holly Harold | 1 more credit »
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Cast

Episode cast overview, first billed only:
Joe Mantegna ... David Rossi
Paget Brewster ... Emily Prentiss
Shemar Moore ... Derek Morgan
Matthew Gray Gubler ... Dr. Spencer Reid
A.J. Cook ... Jennifer Jareau
Kirsten Vangsness ... Penelope Garcia
Thomas Gibson ... Aaron Hotchner
Michael Rooker ... Chief Carlson
Shannon Lucio ... Tina Wheeler
Sam Anderson ... Dr. Rawlings
Tommy Dewey ... Tommy Wheeler
Marc Bossley ... Fire Captain Danny Wales
Michael Villani ... Chief Tom Schultz
Charlene Amoia ... Nancy
Heidi Fecht ... Mother
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Storyline

A serial arsonist is active in Royal, Indiana. The arsonist went from setting fires in unoccupied buildings to largely populated ones. In the last two fires - in a community center and a movie theater - the death count reaches 31 people. The BAU realize that they have to tread lightly as they suspect the unsub to be a local, and with Royal being a small town, anyone they question will be the target of a public witch hunt. And with the high death count in such a small town, determining if there is a specific victimology is made more difficult. The arsonist strikes again when the BAU least expects. Because the latest fire is different than the previous ones, they believe the last fire is the one that holds the key to understanding the motivation and finding the perpetrator. This case is especially difficult for Garcia, who is asked to do things outside of her normal duties. Written by Huggo

Plot Summary | Plot Synopsis


Certificate:

TV-14 | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

25 March 2009 (USA) See more »

Company Credits

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Technical Specs

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

The fire in the movie theater may be a play on the title of the paraphrasing of Oliver Wendell Holmes' "shouting 'fire' in a crowded theater" 1919 opinion. See more »

Goofs

The physician refers to "the burn unit in Gary." If the town of "Royal, Indiana" is indeed near Franklin, then it is much, much closer to Indianapolis than Gary, and patients needing a transfer to a burn unit would go to one of the numerous hospitals there. See more »

Quotes

Aaron Hotchner: [closing quotation, voiceover] "I have loved to the point of madness. That which is called madness. That which to me is the only sensible way to love." - Francoise Sagan.
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Connections

Features The Blob (1958) See more »

Soundtracks

Theme from Criminal Minds
Composed by Marc Fantini and Steffan Fantini
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User Reviews

 
Sins of Omission
7 November 2010 | by ttapolaSee all my reviews

Having one's episode to follow an instant classic like "Omnivore" must have been viewed as a no-win situation. Network shows that have 20+ episodes per year have a tight filming schedule, so multiple scripts are being written simultaneously and the episodes might even be filmed in different order than broadcast. In any case, one sympathizes with the writer and director of this otherwise worthy episode.

There is a lot to recommend this episode: great concept, excellent guest roles from some of the best supporting actors around, Michael Rooker, who's proved he's more than just Henry, and Sam Anderson, probably best known as Bernard from Lost, but a familiar face to practically everyone who watches TV. And while the word 'recommend' feels uneasy when applied to the scene that *will* linger in your mind like a similar scene in Se7en (I won't spoil it), it means the creators have achieved something memorable. Reduced to its core idea, the back-story of the arsonist is ripped straight out of real world, which makes it all the more frightening and thought-provoking. It is even voiced out by Reid at three quarters into the episode.

However, this episode is also written straight into the Criminal Minds mold that gets pretty distracting and downright insulting when forced upon the viewer the umpteenth time: Needless editing tricks, scenes of the killer shot out of focus, overlays of the events upon the BAU agents at the scene of said event, lectures given to the local police - all these could be at least used more sparingly, and in the case of the overlays, eliminated entirely, because unintentional as it may be, showing what happened earlier while simultaneously showing the agents explaining what happened is insulting the audience's intelligence. Less is more. The writers and directors need look no further than the classic episodes of this very series. This could have been a 8/10 (clichés in the story out-ruling a 9/10), now it's "just" 7/10 (still very good).


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