Bologna, 1954. Taddeo, a young man of 18 whom everyone calls Kid, dreams of becoming one of the regulars of the mythical Margherita Café, located under the portico across from his family's ...
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A group of former friends meets again after a very long time, in a Christmas night, with the intent of ripping off a rich industrialist in a game of Poker. Old hatreds and mistrusts conflict with the nostalgia for the lost friendships.
Carlo Delle Piane,
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Bologna, 1954. Taddeo, a young man of 18 whom everyone calls Kid, dreams of becoming one of the regulars of the mythical Margherita Café, located under the portico across from his family's home. Through a ploy, he manages to get work as the chauffeur for Al, the neighborhood's most glamorous and mysterious resident. Having been taken under Al's wing, Taddeo gets to witness the adventures of Bep, who is in love with Marcella the entraineuse; the trials and tribulations of Gian, an aspiring singer and the victim of a horrible practical joke; the crazy behavior of Manuelo, a small-time robber with a sex phobia; the meanness of Zanchi, inventor of the elastic necktie; and the bizarre manias of Sarti, a ballroom dancing champion who wears his tux day and night. And Taddeo's home life is no less out of the ordinary, considering his mother is being led on by the family physician while his grandfather has fallen head over heels for a well-built piano teacher.Written by
Starz Denver Film Festival
When Taddeo is borrowing three books from Beatrice, presumably in a public library, the volumes of the series 'Classici dell'arte' are clearly visible on the shelf in the background. The series started in 1966. See more »
I didn't like much this movie because it was kind of an average movie on recalling he days of the movie director's youth, Pupi Avati, in Bologna. It might be that I have a masterpiece as Fellini's Amarcord as a reference for these kinds of movies the reason that I didn't appreciated "Gli amici del bar Margherita", yet I give a sufficient vote to it (6 out of 10) because it has a good plot built around the bar and its characters, each one with his own personality and peculiarity, each one with a cartoon-like twist as Manuelo with his peculiar laugh. Plus, the director managed to deliver a reliable picture of the Italian provincial life in the 50s.
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