A hairdresser, who has lost her hair to cancer, finds out her husband is having an affair, travels to Italy for her daughter's wedding, and meets a widower who still blames the world for the loss of his wife.
A conscientious police officer who investigates a violent case of domestic dispute in the squalid apartment of a drug addict has to make the most contemptible decision in his life. Just how far would a parent go to get a second chance?
Nikolaj Lie Kaas
Anton is a doctor who commutes between his home in an idyllic town in Denmark, and his work at an African refugee camp. In these two very different worlds, he and his family are faced with conflicts that lead them to difficult choices between revenge and forgiveness. Anton and his wife Marianne, who have two young sons, are separated and struggling with the possibility of divorce. Their older, ten-year-old son Elias is being bullied at school, until he is defended by Christian, a new boy who has just moved from London with his father, Claus. Christian's mother recently lost her battle with cancer, and Christian is greatly troubled by her death. Elias and Christian quickly form a strong bond, but when Christian involves Elias in a dangerous act of revenge with potentially tragic consequences, their friendship is tested and lives are put in danger. Ultimately, it is their parents who are left to help them come to terms with the complexity of human emotions, pain and empathy.Written by
Sisse Graum Jørgensen, Producer
At 13:37 in the Blu-ray director's commentary, Susanne Bier notes that Elias' braces were Markus Rygaard's own braces, not filming props. Having the bullies call him "rat face" was devised after casting, reasoning that, were he bullied, it would be in part for the braces. See more »
When Anton (Michael Persbrant) performs his first surgery he scratches his head/corrects the position of his mask after having put on sterile gloves (at around 42 mins) thereby contaminating them and risking that the patient gets infected. A real surgeon would never do this, and if she or he did, she or he would change gloves. See more »
Sometimes it feels like there is a veil between you and death, but that veil disappears when you lose someone you loved or someone who was close to you, and you see death clearly, for a second, but later the veil returns, and you carry on living. Then things will be alright again.
See more »
Is there any subject more mistreated in movies than retaliation? No, I don't think so. There's a dishonourable and long history about it and calling some of the stuff redneck and primitive is being unfair to the whole redneck movement.
Susanna Bier puts other dimensions to it. The boy being bullied at school is also an old subject, but here the real painful questions about so called pay-back are thrown in our faces. A revenge is seldom just a revenge; it brings other consequences too. That sounds like a cliché, but Susanne Bier says it in a way which concerns us. Like vengeance movies seldom do.
Great performance by Mikael Persbrandt, well known for misusing his talent too many times. But not here.
52 of 67 people found this review helpful.
Was this review helpful to you?
| Report this