7.2/10
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76 user 145 critic

Made in Dagenham (2010)

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A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.

Director:

Nigel Cole

Writer:

William Ivory
Nominated for 3 BAFTA Film Awards. Another 3 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sally Hawkins ... Rita O'Grady
Andrea Riseborough ... Brenda
Jaime Winstone ... Sandra
Lorraine Stanley ... Monica
Nicola Duffett ... Eileen
Geraldine James ... Connie
Bob Hoskins ... Albert Passingham
Matthew Aubrey Matthew Aubrey ... Brian (as Matt Aubrey)
Daniel Mays ... Eddie O'Grady
Roger Lloyd Pack ... George (as Roger Lloyd-Pack)
Phil Cornwell ... Dave
Karen Seacombe Karen Seacombe ... Marge
Thomas Arnold Thomas Arnold ... Martin
Sian Scott Sian Scott ... Sharon O'Grady
Robbie Kay ... Graham O'Grady
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Storyline

In 1968, the Ford auto factory in Dagenham was one of the largest single private employers in the United Kingdom. In addition to the thousands of male employees, there are also 187 underpaid women machinists who primarily assemble the car seat upholstery in poor working conditions. Dissatisfied, the women, represented by the shop steward and Rita O'Grady, work with union rep Albert Passingham for a better deal. However, Rita learns that there is a larger issue in this dispute considering that women are paid an appalling fraction of the men's wages for the same work across the board on the sole basis of their sex. Refusing to tolerate this inequality any longer, O'Grady leads a strike by her fellow machinists for equal pay for equal work. What follows would test the patience of all involved in a grinding labour and political struggle that ultimately would advance the cause of women's rights around the world. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

Dagenham, England, 1968. An ordinary woman fights for equal pay and achieves something extraordinary. See more »


Motion Picture Rating (MPAA)

Rated R for language and brief sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

UK

Language:

English

Release Date:

20 September 2010 (UK) See more »

Also Known As:

We Want Sex See more »

Filming Locations:

Dagenham, Essex, England, UK See more »

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Box Office

Budget:

$7,200,000 (estimated)

Opening Weekend:

£674,059 (United Kingdom), 3 October 2010, Limited Release

Opening Weekend USA:

$37,563, 21 November 2010, Limited Release

Gross USA:

$1,094,798, 10 April 2011
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color | Black and White (television footage)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Both Andrea Riseborough and Rosamund Pike have appeared opposite Tom Cruise in movies, Riseborough in Oblivion (2013) and Pike in Jack Reacher (2012). See more »

Goofs

When Connie and Rita O'Grady return to their co-workers from their first meeting, Rita hands her handbag to Connie to hold while she climbs on a table, gets everyone's attention, then announces loudly, "Everyone out!" She climbs down and shakes hands with co-workers without her handbag (Connie is holding it), then suddenly she has her handbag looped on her shoulder, then it's gone and Connie is holding it again, and we never see Connie hand the handbag back to Rita. See more »

Quotes

Albert Passingham: This dispute's got nothing to do with what skill level you are. Ford decided to give you less money because they can. They're allowed to pay women a lower wage than men. All over the country women are getting less because they're women. You'll always come second. You'll always be fighting over the scraps from the top table, until you...
Rita O'Grady: Until we get equal pay, yeah.
Albert Passingham: Yeah.
Rita O'Grady: What I don't get is why it's so important to you.
Albert Passingham: I got brought up by my mum. Me and me brothers. She worked all her life. ...
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Crazy Credits

Captions in the closing credits: "Two years later in May 1970 the Equal Pay Act became law. Similar legislation quickly followed in most industrial countries across the world. Ford Motor Company Limited went on to effect changes in its employment practices and is now used as an example of a good practice employer." See more »

Connections

Featured in At the Movies: Summer Special 2010/11 (2010) See more »

Soundtracks

Made In Dagenham
Written by David Arnold and Billy Bragg
Performed by Sandie Shaw
Published by Thrust Admin Music Ltd
Administered by Bucks Music Ltd and Universal Music Publishing Ltd
Courtesy of Universal Records
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User Reviews

 
Gutsiness and heart
13 October 2010 | by davidgeeSee all my reviews

After a summer of endless animations and shlock-horror here - at last! - is a film with real heart.

Sally Hawkins is a revelation as Rita who becomes the striking machinists' spokeswoman; her speeches to co-workers, union chiefs, management and the press all start out tremulous and gain in confidence as she hits her stride. Geraldine James who usually plays upper-class ladies (I'm still trying to forgive and forget her breast-feeding David Walliams in Little Britain!) here plays a kind of 'upper-working-class' woman with a husband still shell-shocked from WW2. John Sessions does a Spitting Image turn as Harold Wilson, and Miranda Richardson morphs her Blackadder Elizabeth I into a fiery Barbara Castle (dressed by C&A).

In my Gap Year (date withheld) I worked in a Sussex factory that had a sewing-room. The movie gets the atmosphere exactly right but I don't think working women were quite as free with the f-word back then as they are in this script. The end credits run against pictures of the original Dagenham strikers who all look like clones of Corrie's Ena Sharples and Florrie Linley. Some of the film machinists are more Carnaby Street than Coronation Street, but that's OK. These girls make you laugh, they occasionally bring a lump to your throat, but most of all they make you want to cheer.

A small slice of 1960s history, this film packs a big punch. Do not miss it.


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