6.2/10
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Ride Along (2014)

PG-13 | | Action, Comedy, Crime | 17 January 2014 (USA)
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Security guard Ben must prove himself to his girlfriend's brother, top police officer James. He rides along James on a 24-hour patrol of Atlanta.

Director:

Tim Story

Writers:

Greg Coolidge (screenplay), Jason Mantzoukas (screenplay) | 3 more credits »
1 win & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ice Cube ... James Payton
Kevin Hart ... Ben Barber
John Leguizamo ... Santiago
Bruce McGill ... Lt. Brooks
Tika Sumpter ... Angela Payton
Bryan Callen ... Miggs
Laurence Fishburne ... Omar
Dragos Bucur ... Marko
Gary Owen ... Crazy Cody
Jacob Latimore ... Ramon
Jay Pharoah ... Runflat
Benjamin Flores Jr. ... Morris the Kid (as Benjamin 'Lil P-Nut' Flores)
Greg Rementer ... Marko's Gunman
Eric Benson Eric Benson ... Marko's Gunman
Anna House Anna House ... Cafeteria Lady
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Storyline

Ben must prove he is good enough to date cop James' sister. By doing this he goes on a "Ride Along" to show that he is not weak and he will do whatever it takes to get James' approval but along the way runs into a few obstacles that he has to overcome in a very funny way. Written by kcquail

Plot Summary | Add Synopsis

Taglines:

Propose to this cop's sister? Rookie mistake.

Genres:

Action | Comedy | Crime

Motion Picture Rating (MPAA)

Rated PG-13 for sequences of violence, sexual content and brief strong language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site

Country:

USA

Language:

English | Ukrainian

Release Date:

17 January 2014 (USA) See more »

Also Known As:

Mise à l'épreuve See more »

Filming Locations:

Atlanta, Georgia, USA See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$41,237,000, 19 January 2014, Wide Release

Gross USA:

$134,938,200

Cumulative Worldwide Gross:

$153,997,819
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Second film to star John Leguizamo and Laurence Fishburne. The first being Assault on Precinct 13 (2005). See more »

Goofs

At the farmers' market, the suspect covers himself in honey, clearly emptying the bottle. In a cut shot a moment later, he's holding a full bottle of honey, which is empty again in the next shot. See more »

Quotes

James Payton: Aw, damn, it's Sir Scream-a-Lot.
Ben Barber: I was responding to a hostile situation, James. I have no shame in that. You call for backup when there's a hostile situation.
James Payton: That wasn't calling for backup. That was a high-pitched scream, and you pushed my sister in the way.
Ben Barber: I pushed your sister out of harm's way. You shined the light at us, James.
See more »

Crazy Credits

There's a scene halfway through the end credits: During a barbecue, James tries to stop Ben from turning on the grill (to avoid what happened the last time). See more »

Connections

Referenced in AniMat's Crazy Cartoon Cast: Big Bird's Big Break (2018) See more »

Soundtracks

Call These Boys
Written by Keith Harris, Estelle (as Estelle Swaray), Angelique Cinelu, Tim Stewart
Performed by Estelle
Courtesy of New London Records
See more »

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User Reviews

Ice-Cold Movie, Warm Hart.
27 January 2014 | by bobsgrockSee all my reviews

No matter how popular this film becomes at the box office, Kevin Hart no longer has to prove himself as being worthy of a lead star. His comedic timing and graceful style more than prove that in Ride Along. The trouble is that the film itself is so lacking in almost any originality or intelligence that he would have had to do a lot in order to show himself worse than the movie.

Playing the comic relief in a pale yet obvious retread of 48 Hrs. and Training Day, Hart fully utilizes his short stature and body language to his strength. Being rather short, indeed shorter than his female co-star Tika Sumpter, Hart compensates by playing a man-child with a large inferiority complex. Constantly attempting to prove himself capable of something of value, he still cannot help but invoke his knowledge of childish things, mainly video games. He also cries in terror, jumps into his brother-in-law's arms and looks for acceptance at every turn. He is, in fact, a fully-grown imp. What is astonishing about him is how he uses this to carry the movie along. Scene after scene drags along with the obligatory sense of having been done countless times beforehand but it is Hart's sentimentality that shines beyond the dull narrative. Though his facial expressions are often overwrought, he is still capable of carrying scenes purely through his timing and understanding of comic development. At times, he sounds like he is improvising a stand-up bit. Other times, he seems to invoke the speed-demon, whirlish style of Eddie Murphy. No matter his tactic, he makes it count despite a lack of support.

Making things more frozen than necessary is Ice Cube, scrunching up his face in attempting to portray a hard-ass of a cop; one of those lone, righteous moralists who is willing to go against any and all authority in order to prove himself as being right all along about his case. Of course he is, but what is confusing is how the film seems to condemn his behavior as a loner, yet justifies his actions during the course of the story. It is never clear which side the movie falls on and it most likely does not matter. Truthfully, none of the characters or plot points seem necessary at all except to showcase the difference between Hart's ambitious high-school security guard trying to become an Atlanta policeman and Ice Cube's tough-as-nails detective on the hunt for the most ferocious kingpin in the city, so terrifying and imposing that no one has ever seen his face (You will guess who it is right away; the opening credits give it away).

The biggest fault in the screenplay is its lack of developing the relationship between the two key characters: Ice Cube and his sister. Supposedly, they are very close due to being raised in foster homes, leading to him playing over-protective daddy to her. The trouble is the writers never give them a scene for themselves. What kind of relationship did they have or have now? And how has it changed as they have gotten older? And, furthermore, what is Ice Cube's personal life? Does he have one? Clearly, these were not on the writers' or director's mind. The final priority seems to have been only to ensure Kevin Hart came out looking like a fine-bred, comedic leading man for years to come. In this, the movie has succeeded. However, the makers of the movie should not pat themselves on the back. Save that for Mr. Hart himself, the only saving grace in this entire tired, formulaic story.


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