Shattered by the unexpected news of their irreversible break-up, an aspiring orchestra conductor is puzzled by his girlfriend's mysterious and seemingly inexplicable case of disappearance. But, can he look beyond the facts?
María Soledad Rodríguez
Five close friends, all of them married, share a loft to meet their mistresses. One day they find the body of a young woman in the loft. Since there are only five keys to the loft, the five men begin to suspect each other of murder.
Erik Van Looy
Koen De Bouw,
The story of two men on different sides of a prison riot -- the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.
An accidental discovery near a doctor's estate stirs up some painful memories eight years after his wife's hideous murder, and now, things are bound to take a turn for the unexpected. Does the good doctor know more than he's letting on?
After the death of the blind Sara, who hanged herself in the basement of her house, her twin sister Julia suspects that she was actually murdered. Julia has a degenerative problem with her eyes and is losing her sight, and she temporarily moves with her husband Isaac to Sara's house to arrange her funeral. Julia goes to the Centro Baumann for the blind, which Sara frequented, and she learns from other members that Sara had a boyfriend. Julia is chased by a mysterious man, but police inspector Dimas does not believe her. Julia follows Sara's last steps trying to find the identity of her secret lover. Julia is surrounded by deaths and weird events while she loses her sight.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This is the second time that Belén Rueda plays a character named Julia, who coincidentally also suffers from a degenerative disease, after The Sea Inside (2004). See more »
[Talking to someone hiding in the dark]
Alright, you win. Could you at least stop that song? You know I hate it.
[she receives no answer. Only music playing in the background]
Why are you so quiet?
[thunders strike, briefly lightning the living room]
Say something, for fuck sake!
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A respectable blend of drama and horror, using strengths of both but also succumbing occasionally to the weaknesses.
Suspense is present from the very beginning, building to an exciting and unexpected climax, unfortunately falling a bit flat afterward. In fact, the last 30 seconds of the film somewhat blemish the drama of the story as a whole, mostly because the ending touches on a relationship that was hardly explored and not at all significant through the rest of the film, partly because of the focus on the very thing that makes this movie good: the constant twists and turns in the story. This also leads to some ideas that are passable but don't make nearly as much sense as they're supposed to; particularly the whole "people who aren't seen"/"There was no man with her (Sara)"/"Don't look at me!" motif. I still don't get it, but it has little impact on the story anyway.
I believe the entirety of the story could have used some fine tuning, and run time could have been trimmed by 10 to 15 minutes... But overall it's engaging, well acted, and sets an excellent and fitting mood visually. Thrillers that can't project the protagonist's experience to the viewer fail horribly... this movie does an outstanding job providing a sense of confinement that fits the title character's world, and this is where its greatest strength lies.
Although character relationships are a bit thin and suspense doesn't hit many high notes, this is a fairly exciting thrill ride and a good effort all around. One last thing, I would recommend watching it without distraction... the mood is more visual and in the flow of the story than it is intellectual or suspenseful, and it's easy to lose interest if you step away for a few minutes.
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