Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007, and must defeat a private banker to terrorists in a high stakes game of poker at Casino Royale, Montenegro, but things are not what they seem.
The series of numbers on Moriarty's blackboard (and seen again briefly during the notebook decoding sequence towards the end), is Pascal's triangle with the shallow diagonals marked, the sums of which form the Fibonacci sequence. See more »
When Moriarty stands up from the rubble of the factory, within his ear a piece of cotton wool is visible, presumably to block any rubble falling into his ear. See more »
Dr. John Watson:
The year was 1891. Storm clouds were brewing over Europe. France and Germany were at each other's throats, the result of a series of bombings. Some said it was the Nationalists. Others, the anarchists. But as usual, my friend Sherlock Holmes, had a different theory entirely.
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During the ending credits, excerpts from the Doyle story "The Final Problem" are shown. ("The Final Problem" was the basis for the movie.) See more »
What a relief! The trailers lied--it was awesome. :)
We just got back from the earliest showing we could get a sitter for. I can say with confidence that my fears about this movie were totally unfounded, and I now hold Guy Ritchie and these writers in the highest regard. Without going into spoilers, here are the three concerns that were put entirely to rest: 1) After seeing the trailer, my biggest worry was the use of "bullet-time" type photography during a Victorian-era movie. I thought it would be completely anachronistic and pointless. However, they'd already established in this movie and the previous one that Holmes is hyper-aware of his surroundings. The bullet-time was used to convey how traumatic a couple of scenes were to someone with that type of awareness, and it worked beautifully.
2) Jared Harris looked so vanilla and soft in the promo pics and trailers that I couldn't imagine him as a fearsome adversary for Holmes. However, his Moriarty is so devious and cunning, and at one time downright sadistic, that I don't think they could have made a better choice. A couple of times I felt like he was channeling his father (the outstanding Richard Harris) without the warmth and empathy that the late actor conveyed. Can you imagine Richard Harris as a cunning, calculating perfectionist that's totally devoid of concern for human life? You won't have to after watching his son. It's freaky. And he sings.
3) Holmes' relationship with Watson (and in a small way, Irene Adler) is fantastically developed. Saying any more than that would be too spoilery.
So, watching this w/ my husband(who is a die-hard Sherlock fan, and used to read Sherlock Holmes aloud to me every rainy night, complete w/ voices) was a fabulous experience. We can't wait to see it again, and own it.
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