Set on the east coast of New Zealand in 1984, Boy, an 11-year-old child and devout Michael Jackson fan, gets a chance to know his absentee criminal father, who has returned to find a bag of money he buried years ago.
Viago, Deacon and Vladislav are vampires who are finding that modern life has them struggling with the mundane - like paying rent, keeping up with the chore wheel, trying to get into nightclubs and overcoming flatmate conflicts.
It's 1984. Here we meet Boy, an 11-year-old who lives on a farm with his gran, a goat, and his younger brother, Rocky (who thinks he has magic powers). Shortly after Gran leaves for a week, Boy's father, Alamein, appears out of the blue. Having imagined a heroic version of his father during his absence, Boy comes face to face with the real version-an incompetent hoodlum who has returned to find a bag of money he buried years before. This is where the goat enters.Written by
Sundance Film Festival
Director Taika Waititi was less than a week away from filming when he realised the boy he had as lead wasn't working out. Three days before filming began, James Rolleston, who was hanging around on set as an extra, was given the lead by Taika Waititi. See more »
While driving, Boy and his Dad pass a yellow warning sign. These signs were not used in New Zealand at the time of the film. See more »
I don't remember you! You weren't there! You weren't there when he was born! You weren't there when she died! Where were you?
See more »
The last shot after the credits is of Leaf, the goat, walking across a dance floor where the floor lights up as he walks on it. See more »
I had been told how funny this movie was, and there are quite a few chuckles in the first 20 minutes or so, and then it buckles down to show us the real story of pre-pubescence in a rural community and the father-son thing. It was explored in depth and very well too, and never gets nasty as some NZ movies can do, but still wrings your heart out. The end-piece was stunning, utilising the obsession with a teenage Michael Jackson and humour as only the NZ Maori do. I left the theatre with mixed feelings but since then I have felt buoyed up (sorry) and am remembering it fondly. Will definitely see it again and may add it to my small collection of NZ films. Others have mentioned Eagle and Shark and Secondhand Wedding, but this is more historical and captures the era perfectly. Well done all - especially to all the actors under 20, we know the adults can act, but these fellas will be worth watching out for in the future.
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