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Albert Nobbs (2011)

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Albert Nobbs struggles to survive in late 19th-century Ireland, where women aren't encouraged to be independent. Posing as a man so she can work as a butler in Dublin's most elegant hotel, Albert meets a handsome painter and looks to escape the lie she has been living.

Director:

Rodrigo García

Writers:

Gabriella Prekop (screenplay), John Banville (screenplay) | 3 more credits »
Nominated for 3 Oscars. Another 19 wins & 39 nominations. See more awards »

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Cast

Cast overview, first billed only:
Glenn Close ... Albert Nobbs
Antonia Campbell-Hughes ... Emmy (as Antonia Campbell Hughes)
Mia Wasikowska ... Helen
Pauline Collins ... Mrs. Baker
Maria Doyle Kennedy ... Mary
Mark Williams ... Sean Casey
James Greene ... Patrick
Serena Brabazon ... Mrs. Moore
Michael McElhatton ... Mr. Moore
Dolores Mullally Dolores Mullally ... Milady
Bonnie McCormack Bonnie McCormack ... Miss Shaw
Phyllida Law ... Mrs. Cavendish
Brendan Gleeson ... Dr. Holloran
Kenneth Collard ... Monsieur Pigot
Judy Donovan ... Madame Pigot
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Storyline

In 19th century Dublin, Albert Nobbs, an eccentric man in the latter part of middle age, works as a waiter in Morrison's Hotel run by the stingy and controlling Marge Baker. Albert is hard working and saves his money so that one day he will be able to eke out a better life for himself by owning his own business rather than work at the hotel. Beyond his work colleagues, he is all alone in the world. One day, a man named Hubert Page is hired by Mrs. Baker to paint one of the rooms in the hotel. She forces Hubert to share Albert's bed for the one night he is required to stay to complete the work, much to Albert's horror. Hubert discovers the reason Albert did not want to share a room with him. But rather than the issue being a problem, Hubert shows Albert that he can follow a slightly different life path than the one he envisioned for himself - one closer to the life that Hubert leads with his wife Cathleen - which includes getting married and having a wife to support him emotionally. ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

We are all disguised as ourselves. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some sexuality, brief nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | Ireland | France | USA

Language:

English

Release Date:

22 February 2012 (France) See more »

Also Known As:

Albert Nobbs See more »

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Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend USA:

$696,088, 29 January 2012

Gross USA:

$3,014,696

Cumulative Worldwide Gross:

$5,634,828
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Bronagh Gallagher, Maria Doyle Kennedy and Angeline Ball worked together in The Commitments (1991). See more »

Goofs

When Glenn Close is running on the beach, she falls down in a spot where it is obvious that the sand was disturbed in a previous shot or rehearsal. See more »

Quotes

Hubert Page: You don't have to be anything but who you are. Look at how you've survived all these years.
See more »

Connections

Referenced in Broad City: Mochalatta Chills (2015) See more »

Soundtracks

Lay Your Head Down
Music by Brian Byrne
Lyrics by Glenn Close
Performed by Sinéad O'Connor
See more »

Frequently Asked Questions

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User Reviews

 
Give Close the Oscar!
23 November 2011 | by Rockwell_CronenbergSee all my reviews

At first glance, Albert Nobbs could seem to be another dry and stuffy period piece that would follow in the tradition and be mostly about the acting. However once you delve into it, the film ends up being a surprisingly dense character drama focused around one troubled, courageous woman whose loneliness gets the better of her years of living in secrecy. The titular waiter is a delicate, frail woman masquerading as a man and actress Glenn Close delves into the role with such complete detail that she truly does disappear.

I'm always skeptical of performances that are claimed to be "fully unrecognizable" and at first I must admit that it just felt like Close playing a man, but as the film continued I slowly lost sight of my cynicism and when a later scene portrays Nobbs wearing a dress for the first time I was blown away at the fact that I was seeing this woman be a real woman for the first time. I was amazed at how absorbed Close was in the role, I genuinely forgot all about this woman playing a character and just believed the character's facade, as well as Close's. Close has gotten attention for the role as a potential Oscar vehicle and some have lashed back against that due to the performance being quite restrained, but I admire her delicacy in taking on the role. This is a woman who spent her entire life trying to blend in and be unseen, and Close's ability to be this fly on the wall creature is remarkable.

I was glad that there weren't any hysterics on her part and when the few scenes came where, in isolation, she broke down I was devastated by this woman fearing for her life to unravel. It's such a delicate and entirely human performance, and as far as I'm concerned one of the best of Close's very strong career. The central narrative revolves around Nobbs' desire to woo a young maid named Helen (played with an Irish tilt by the up-and-coming Australian Mia Wasikowska, again shining) to leave their life of servitude and open up a tobacco shop together. Throughout the film I was bothered by this belief that Nobbs was supposed to be in love with Helen and that's why she wanted to open the shop with her, but as the film reached it's final conclusion I came to the realization that it had nothing to do with love.

Throughout her life Nobbs had put in all of her effort to having no one notice her that when she's introduced to a similar woman masquerading as a man (played by the strong and unbelievably convincing Janet McTeer) who has a happy life married to a woman, Nobbs realizes the potential that maybe she doesn't have to live her life alone. It's not about loving Helen at all, it's just about not wanting to be alone anymore and once that became apparent to me the film became quite devastating. Nobbs trapped herself in this prison and Close plays it with such restrained heartache that it truly hit a level with me. Even in writing this I am realizing that the film had a much stronger impact on me than I had previously thought. This is a devastating story of a woman trapped in circumstances of her own making, portrayed with such genuine believability by Close that I forgot I was watching an actress pretend to be a man but instead just saw Nobbs.

There's a line where McTeer's character asks Nobbs what her name is and she responds, "Albert". Then McTeer repeats the question, clearly asking for her birthname instead of the one she is hiding behind and Nobbs again responds, "Albert". At the time I rolled my eyes at the exchange, but now that the whole film has settled with me it speaks so much to this trapped, wounded soul who was so lost in herself that she couldn't escape her own prison, let alone the one that she had built for Nobbs. I found Albert Nobbs to be quite the moving, hushed character piece led by a wrenching performance by Close and backed up by several other strong performances from McTeer, Wasikowska and a grimy Aaron Johnson.


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