In what has to be one of the worst ideas in Christmas party planning history, Swedish house wife Sara decides to celebrate the yuletide season with her three ex-husbands and their families.... See full summary »
On a train in 1945 a train conductor is in charge of a motley bunch: a failed author who means well but creates chaos; a soldier who is actually on the wrong train; a doctor who wants to ... See full summary »
When the factory in Molkom shuts down, Robin leaves his beloved hometown to try his luck in Stockholm as a wedding photographer. This experience changes not merely his outlook on life but also his hairstyle.
Björn A. Ling,
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Cornelis is the unique chronicle about one of Sweden's greatest music legends - Cornelis Vreeswijk. An honest and gripping account of an exceptionally talented, but self-destructive artist's intense life both on and behind the stage. A man who during his whole life was searching for love and confirmation.Written by
Cornelis' friend Hasse and hairdresser Sigge at Länkarna in the movie are played by themselves and were actual friends of the singer while he lived at Länkarna in Solna. The room were Cornelis is sleeping in was his actual room. N.B the room has no windows which was a special request of Cornelis. See more »
Being a Dutchman with a great interest in Sweden, plus a fan of Cornelis Vreeswijk, I was really looking forward to this motion picture. Many of Cornelis' songs helped me to gradually learn the Swedish language. First off, I have to compliment the casting bureau that managed to find Hans-Erik Dyvik Husby. A Norwegian singer from a genre rather remote from the one Cornelis sang in. Yet he puts on a magnificent performance.
The film follows the career steps of Vreeswijk in Sweden, from his breakthrough in 1964 alongside Fred Åkerström until his death in 1987. During the course of it, many of Cornelis' great songs can be heard. A sing-along for any fan. It also shows the two sides that Cornelis had in him. A great performer, fun guy to hang around with, a ladies man. But also a heavy drinker, an overly jealous husband and not the best of fathers to his son Jack. It presents you with a very honest picture of this troubadour that lived like a rock star. This pleads for the director and the script-writer.
The only weakness of this film is that it focuses solely on Sweden. Vreeswijks Dutch heritage is almost completely neglected. The only way any viewer unfamiliar with him would guess he's Dutch is from his last name and the first 5 minutes of the film. The director does ironically point out the fact that the Swedish state never officially recognized Vreeswijk as a Swedish citizen, and therefore never even became a Swede. In fact Cornelis had a decent career here in The Netherlands as well, where quite a few people still know his Dutch repertoire. He also regularly traveled abroad to perform in The Netherlands. Obviously this part of his life poses a practical issue, with a Norwegian actor portraying him. Yet Amir Chamdin could have made at least a couple of references to the Netherlands. He chooses not to; perhaps for financial or practical reasons. Sadly it's this loose end that makes this an incomplete, yet nice film about the life of Cornelis Vreeswijk.
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