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Drunk Stoned Brilliant Dead: The Story of the National Lampoon (2015)

Not Rated | | Documentary, History | 25 September 2015 (USA)
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A look at the history of the American comedy publication and production company, National Lampoon, from its beginning in the 1970s to 2010, featuring rare and never-before-seen footage.

Director:

Douglas Tirola
5 nominations. See more awards »

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Cast

Credited cast:
Danny Abelson Danny Abelson ... Himself - Lampoon Contributor
Judd Apatow ... Himself - Film Director
Kevin Bacon ... Himself - Actor
Henry Beard Henry Beard ... Himself - Lampoon Founder
Anne Beatts Anne Beatts ... Herself - Lampoon Contributor
John Belushi ... Himself / Actor (archive footage)
Judith Belushi-Pisano ... Herself - Lampoon Staff (as Judith Jacklin Belushi)
Richard Belzer ... Himself / Actor / Producer
Ed Bluestone ... Himself - Lampoon Contributor
Christopher Buckley ... Himself - Author, Thank You for Smoking
John Candy ... Himself / Actor (archive footage)
Christopher Cerf ... Himself - Lampoon Contributor (as Chris Cerf)
Chevy Chase ... Himself - Actor
Michel Choquette Michel Choquette ... Himself / Lampoon Editor (archive footage)
George Coe ... Himself / Actor
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Storyline

Featuring rare and never before seen footage, this is the mind boggling story of The National Lampoon from its subversive and electrifying beginnings, to rebirth as an unlikely Hollywood heavyweight, and beyond. A humour empire like no other, the impact of the magazines irreverent, often shocking, sensibility was nothing short of seismic: this is an institution whose (drunk stoned brilliant) alumni left their fingerprints all over popular culture. Both insanely great and breathtakingly innovative, The National Lampoon created the foundation of modern comic sensibility by setting the bar in comedy impossibly high.

Plot Summary | Add Synopsis

Taglines:

If You Don't See This Documentary, We'll Shoot This Dog


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA | UK

Language:

English

Release Date:

25 September 2015 (USA) See more »

Also Known As:

Drunk Stoned Brilliant Dead See more »

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Box Office

Opening Weekend USA:

$6,842, 2 October 2015, Limited Release

Gross USA:

$62,684, 22 November 2015
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
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Did You Know?

Quotes

Henry Beard, Himself: It was like we had an attic full of culture that had been accumulating from 1945 to 1970. And we opened the trap door and nobody had been up there. And we just basically looted it!
See more »

Connections

References Ghostbusters (1984) See more »

Soundtracks

Only You Know and I Know
Written by Dave Mason
Performed by Dave Mason
Published by Irving Music, Inc. (BMI)
Courtesy of Geffen Records under license from Universal Music Enterprises
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User Reviews

 
Questionable Legacy of Burnt-out Hippies
23 May 2016 | by bonsai-superstarSee all my reviews

It's notable that none of the truly successful / funny people who got their start via Lampoon- related ventures (Bill Murray, Harold Ramis, etc.) are in this movie, vouching for the quality of the Lampoon. Why is this? Because they owe their start to Second City, not to the Lampoon. Just as the Lampoon blames Lorne Michaels for taking "their" talent wholesale, they took this talent from Second City - people like John Belushi, Gilda Radner etc. ever wrote for or even had anything to do with the Lampoon. Animal House had a few laughs and, as noted in the movie, created a genre, but a realistic viewer will suspect the laughs are the result of (non-Lampoon) Harold Ramis. Caddyshack was crap. P. J. O'Rourke is (still) a pompous, unfunny drunk / conservative. Chevy Chase is here, promoting the Lampoon because the Lampoon is affiliated with his glory years 3 decades ago. The National Lampoon may have been considered shocking, new, or different, but it simply wasn't as funny as this movie makes it out to be. A truly timeless work will stand on its own. What is the legacy of the Lampoon? Quite a few people spell it out in this movie: "tits". Pictures of breasts and juvenile cartoons. Breasts are great, but (generally) not funny. If the Lampoon had classic, funny articles, people would still be referencing them (people still reference the Marx Brothers or Shakespeare). But they don't - why do you think that is?


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