6.2/10
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40 user 141 critic

360 (2011)

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A dramatic thriller that weaves together the stories of an array of people from disparate social backgrounds through their intersecting relationships.

Director:

Fernando Meirelles

Writer:

Peter Morgan (screenplay)
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Lucia Siposová ... Mirka
Gabriela Marcinková ... Anna
Johannes Krisch ... Rocco
Danica Jurcová ... Alina
Jude Law ... Michael Daly
Peter Morgan ... Salesman 2
Moritz Bleibtreu ... Salesman
Riann Steele ... Waitress
François-Xavier Demaison ... Taxi Driver
Jamel Debbouze ... Algerian Man
Dinara Drukarova ... Valentina
Vladimir Vdovichenkov Vladimir Vdovichenkov ... Sergei
Patty Hannock Patty Hannock ... Psychiatrist
Djemel Barek Djemel Barek ... Imam (as Djemel Barak)
Rachel Weisz ... Rose
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Storyline

Screenwriter Peter Morgan and Director Fernando Meirelles' movie combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the twenty-first century. Starting in Vienna, this movie beautifully weaves through Paris, London, Bratislava, Rio de Janeiro, Denver, and Phoenix into a single, mesmerizing narrative. Written by 360 Films Ltd

Plot Summary | Add Synopsis

Taglines:

You only live once. How many chances do you get? See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for sexuality, nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

UK | Austria | France | Canada | Brazil | USA

Release Date:

25 July 2012 (France) See more »

Also Known As:

360 - Jede Begegnung hat Folgen See more »

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Box Office

Opening Weekend USA:

$12,186, 5 August 2012, Limited Release

Gross USA:

$99,603, 23 September 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Datasat

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Karl Markovics was originally set to play Rocco, but had to drop out due to a scheduling conflict. See more »

Goofs

(at around 27 mins) In Rachel's apartment, the cameraman with a black shirt is visible in the closet mirror. See more »

Quotes

John: Run into someone cute. Never done this kind of thing before, but you only live once, how many chances do we get?
See more »

Connections

Version of La ronde (1964) See more »

Soundtracks

Helium Reprise
written by Mark Orton
performed by Mike Patton and Mark Orton
See more »

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User Reviews

 
Better than expected, with its approach to "global", disconnected, modern life
13 August 2014 | by dierregiSee all my reviews

Movies linking different stories taking place all over the world are usually are praised for the interweaving plot coming together with some big revelation. Think about Babel, universally praised for mixing intercontinental tragedy. I liked it moderately, as it was a bit too gloomy, and I would not put it in my top-ten list.

On the other hand, 360 working on a similar take, was vilified almost unanimously. On a different merry-go-round we have the stories of an English businessman ready to stray with a prostitute in Vienna, while his wife is already straying in London with a Brazilian guy, whose fiancée is dumping him for said infidelity and traveling back home, etc… Since the prostitute is having her photos taken by a photographer for her online advert, the movie starts and finishes with a girl entering the study, thus coming round 360 degrees. A couple of stories are quite weak, such as the Brazilian girl meeting a sex offender en route to Brazil and the prostitute's sister running away with a stranger. However, compared to Babel what is missing here is mega tragedy and that is exactly what made Babel so pretentious, with its existentialist grandeur.

Therefore, I liked 360 better because its characters are more "normal" – except, perhaps, the Russian mobsters – and their lives are not experiencing huge calamities. They just change or adjust slightly. I guess that was not liked by the critics (and public). Nowadays, a level of extra-drama seems to be required in ever massive doses to relieve with excitement our numbed existences … at least for a couple of hours.


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