Nothing - not her father, not the church - can stop unruly Angela from being with her childhood best friend turned great love, Sara. Based on a true story, Viola di mare, presents a ... See full summary »
17 years old Sangaile is fascinated by stunt planes. She meets a girl her age at a summer aeronautical show. Sangaile allows Auste to discover her most intimate secret and in the process finds the only person that truly encourages her to fly.
A high-school girl's first sexual experience is with another girl, and, along with her first broken heart, she must deal with her mother's reaction to her revelation that she is a lesbian and with ostracism at school.
An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman who works at a local carnival that comes to town.
Honestly the first parts of the movie is not so fascinatingly as it should be, after a while it gets more deeper to the real situations in Iran. It doesn't say how Mehran really evolve to a point that he hurts his own family. What had been seen here from Mehran, I think comes from all Iranian women mind that they think men are evil. it wasn't explained why Ati wanted to stay. And "Dad"'s reactions to his son's works was unnatural. Now the good things are, that despite shortage of money and location, camera somehow gave the common viewer the feeling that, it is in fact in Iran (except one seen). Shireen played a really good Iranian girl, Also Ati's Mother played a very good Iranian mother. Director used so many no-face people which I can't understand the reason. She was successful to transfer lots of problems in Iranian society but jumped so many time from situation to situation. Personally I think the scene that Shireen is in a taxi and what taxi driver did, was the best. It showed how lower level society of Iran is so sick in the mean time showed deep pressure on both sides in that taxi.
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