In a future where people stop aging at 25, but are engineered to live only one more year, having the means to buy your way out of the situation is a shot at immortal youth. Here, Will Salas finds himself accused of murder and on the run with a hostage - a connection that becomes an important part of the way against the system.
Snow White, imprisoned daughter of the late king, escapes just as the Magic Mirror declares her the source of the Evil Queen's immortality. The Queen sends her men, led by a local huntsman, to bring her back. But upon her capture, the huntsman finds he's being played and turns against the Queen's men, saving Snow White in the process. Meanwhile, Snow's childhood friend, William, learns that she is alive and sets off to save her.Written by
For months, Viggo Mortensen was in talks to star as the Huntsman, but negotiations fell through and Mortensen dropped out. See more »
After the fight scene with Snow White and the Troll, they stare at each other for a brief minute and the troll leaves. Snow white at this point has her dress covering her shoulders clearly, when the camera angle changes showing the Huntsmen approaching her, the sleeve of her dress is half way down her arm , then again in an instant back on her shoulders. See more »
Once upon a time, in deep winter, a queen was admiring the falling snow, when she saw a rose blooming in defiance of the cold. Reaching for it she pricked her finger and three drops of blood fell. And because the red seemed so alive against the white she thought, "If only I had a child as white as snow, lips as red as blood, hair as black as a raven's wings, and all with the strength of that rose." Soon after a daughter was born to the queen and was named Snow White.
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What a load of nonsense. Those were 127 almost completely redundant minutes. It doesn't happen often but after about the first third I was considering leaving the cinema and only the ticket price kept me in my seat and the vague hope that something might change. It didn't.
Where to start? There was no build-up, no climax (more of an anti-climax actually) and no development of any sort. There was a bunch of characters that fit together awkwardly at best: imagine Buffy the Vampire Slayer, Aragorn, Luke Skywalker and the guys from Hot Fuzz against the Wicked Witch and the Terminator - that about covers it. There was nothing that made you feel one way or the other about the characters since they all had their reasons for doing what they did and ... since it fit the plot it was fine anyway and they didn't need to change. The whole piece had a plot and general look and feel that couldn't make up its mind if it was going to be Chronicles of Narnia, Joan of Arc or ... Pan's Labyrinth? There were, however, a lot of pointless details that didn't matter to the plot but they were just there - take the queen's background, take the troll bridge, I could go on. There were a lot of over-acted emotions, like the queen screaming at people in slow motion for no apparent reason (both the screaming and the slow motion); and I cannot remember seeing Snow White in any shot in which she did not have tears in her eyes.
I still wonder where they wanted to take this picture. Dark fantasy with sex-appeal and gritty violence might have been a good idea but it seems the writer and production designers were too busy being politically correct to go all the way. There are a few things that I liked, which is why I give the film a 3 but those are just details and would contain spoilers. Like this the film just seems to try and capture as many tastes as possible but delivers nothing really. And then suddenly it's over as if the producer had said: "that's enough now." Maybe that was actually a blessing in disguise. Reading the original fairytale is still more exciting.
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