4.8/10
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75 user 117 critic

Twixt (2011)

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A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a... See full summary »
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Val Kilmer ... Hall Baltimore
Bruce Dern ... Sheriff Bobby LaGrange
Elle Fanning ... V.
Ben Chaplin ... Poe
Joanne Whalley ... Denise
David Paymer ... Sam
Anthony Fusco ... Pastor Allan Floyd
Alden Ehrenreich ... Flamingo
Bruce A. Miroglio Bruce A. Miroglio ... Deputy Arbus
Don Novello ... Melvin
Lisa Bailes Lisa Bailes ... Ruth
Ryan Simpkins ... Caroline
Lucas Rice Jordan Lucas Rice Jordan ... P.J.
Fiona Medaris Fiona Medaris ... Vicky
Katie Crom Katie Crom ... Circe
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Storyline

A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a mysterious young ghost named V. He's unsure of her connection to the murder in the town, but is grateful for the story being handed to him. Ultimately he is led to the truth of the story, surprised to find that the ending has more to do with his own life than he could ever have anticipated. Written by Production

Plot Summary | Add Synopsis

Plot Keywords:

ghost | writer | murder | stake | hotel | See All (66) »


Motion Picture Rating (MPAA)

Rated R for some bloody violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

11 April 2012 (Belgium) See more »

Also Known As:

Twixt Now and Sunrise See more »

Filming Locations:

Clearlake, California, USA See more »

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Box Office

Budget:

$7,000,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

American Zoetrope See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(original)

Sound Mix:

DTS (5.1)

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Director Francis Ford Coppola had originally intended the film as a type of "live editing" experiment using groundbreaking digital editing technology. Coppola intended to act as a sort of conductor during every screening of the film, lengthening or shortening scenes and even changing plot elements depending on the audience response. This caused long delays in the film's release and ultimately proved impractical, forcing Coppola to do a locked edit of the film, integrating elements from all various permutations of the story. See more »

Goofs

In the newspaper clippings folder, the clipping from "The Press" (revealing the "Devil lives in the clock tower" angle) shows an ad for a motel on the left side of the page. In that page a car is shown, a 1957 Ford. In the next clipping shown, another variation on the "Devil in the clock tower" angle on the children's murders, shows the date of the newspaper, from 1955. Unless this paper was still churning the Devil in the tower angle, and the children's murder was still front page above the fold news (dubious), the car shown didn't exist until two years after the murder/newspaper story. See more »

Quotes

[first lines]
Narrator: There was, once upon a time, a town not far from a big city. A road ran through, but there were only a few businesses. A coffee shop, a hardware store, a sheriff's office. And all kinds of people. Vagrants, run away teens, religious fanatics, retired seniors who, well, it was a town of those who wanted to be left alone. And so they were.
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Connections

Referenced in Evening Urgant: Oleg Mitvol/Gabin (2012) See more »

Soundtracks

Nosferatu
(uncredited)
Performed by Dan Deacon & Osvaldo Golijov
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User Reviews

 
Barely watchable
26 November 2012 | by sequesteredsceSee all my reviews

I went into this movie with little expectation, seeing as I've never followed Francis Ford Coppola's work. Perhaps that's the only reason why I found it mildly entertaining. From reading other reviews, it's clear that this work doesn't even take a step toward what Coppola is capable of. But what baffles me is that a film this bad was made by a director that obviously has proved their artistic vision plenty in the past. But I digress. At 40 minutes into the film, I had a feeling that things weren't going to get any better. The storyline felt cliché, the acting was sub par, and the dream sequences were so strange and misplaced (yet somehow boring at the same time), that I was having trouble paying attention to it. But I kept watching because 'hey, you never know'. Well, now that I've watched this train wreck to its end, I can tell you with confidence that if you aren't watching this simply for indulgence of one of the supporting actors' performances, you will be greatly disappointed. Though I suppose you could argue that the dream sequences have some substance to them, the whole film feels not only unfinished, but without a true message, which is why getting to the end feels like such a strain.


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