6.3/10
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5 user 29 critic

Banklady (2013)

The sudden transformation of a lower middle class woman who falls in love with a bank robber and soon becomes one herself.

Director:

Christian Alvart

Writers:

Chris Silber (screenplay) (as Christoph Silber), Kai Hafemeister (screenplay) | 1 more credit »
Reviews
1 win & 4 nominations. See more awards »

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Cast

Credited cast:
Ken Duken ... Kommissar Fischer
Nadeshda Brennicke ... Gisela Werler
Henny Reents ... Fanny
Niels-Bruno Schmidt ... Assistent Kruse
Charly Hübner Charly Hübner ... Hermann Wittorff
Heinz Hoenig ... Kaminsky
Heinz Strunk Heinz Strunk ... Kunde Koenig
Andreas Schmidt Andreas Schmidt ... Uwe
Isabel Bongard ... Fräulein Krüger
Jürgen Schornagel ... Hans Werler
Konstantin Graudus Konstantin Graudus ... Kassierer Schmidt
Klaus Zmorek Klaus Zmorek ... Bankchef
Cecilia Diesch Cecilia Diesch ... Heidi Senger
Natalie Thiede Natalie Thiede ... Monika
Olaf Krätke Olaf Krätke ... Tapetenfabrikant Clemens
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Storyline

The sudden transformation of a lower middle class woman who falls in love with a bank robber and soon becomes one herself.

Plot Summary | Add Synopsis


Certificate:

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Details

Official Sites:

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Country:

Germany

Language:

German

Release Date:

27 March 2014 (Germany) See more »

Also Known As:

Bank Lady See more »

Filming Locations:

Bremen, Bremen, Germany See more »

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Box Office

Cumulative Worldwide Gross:

$72,764
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Dolby SR

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The film is based on the true story of Gisela Werler who was Germany's first female bank-robber. Because of this newspapers started calling her the "Banklady" hence the title of the film. See more »

Soundtracks

SOMEONE ELSE'S BOY
(Schöner fremder Mann)
Music and Words by Athena Hosey and Hal Gordon
Performed by Connie Francis
1962 Universal Records
See more »

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User Reviews

 
Banklady will steal your life x 2 hours .
13 September 2014 | by stuka24See all my reviews

Best films are like love affairs. Some work right from the start, get you carried away, and while they last you just don't know what hit you. This is one of those films.

Montage, music, Art direction -those buildings! women's dresses and hairdos!, everything works towards the flow of the movie, never distracting from the main goal, that is entertain us with a couple of lovable delinquents. Love and sex are not what ties them together. Probably Gisela wanted to escape the dull routine of the factory, and Messieu wanted the thrill, as any psychopath. Roger Ebert already wrote better than anybody on why do we like people on the big screen that are not exactly role models, so I won't deal with that thorny issue here. I want you to watch this film and enjoy it as I did.

IMDb reviewer Ralfscheapthrill put it down perfectly: 'pre-68- melancholia and lust for life'. 2 more great reasons x watching this gem.

I've got a couple quibbles. Nadeshda Brennicke is too nice and attractive to be a factory worker, same goes x Henny Reents, probably Kommissar Fischer and her secretary too. It also happened in 'Monster' when, as in this film, when you saw the pictures of the real criminal, they were not alike. And the scene of the bank shooting, Gisela showing empathy x the victim, has so many troubles that it would be tiresome to mention them.

This film made me happier after having watched it, its powerful images remained on my memory the next days, and probably won't be forgotten. The seaside resort with the lady jumping out of the roofs as the quest for liberty, our own one, is my favourite scene. And Gisela clad as Banklady at the costume party from the factory. Or the proposal. Dialogues are also well crafted, the audience cracked at some jokes. Like the answer to the lady who lost her dog at the shooting, funny because Germans can be so formal when they want to, thus creating contrast. Or how Gisela replies to the marriage proposal in the last bank robbery. Secondary characters do have a role, like Gisela's unlucky 'boyfriend' and Fischer's grouchy boss, relentlessly effective at bullying the obsessive Kommissar.

This film is enjoyable like a bubble bum and well made as a Mercedes. I can't see why some critics didn't like it.

PS: Gisela's mum saying matter-of-factly what she has to do when Fischer raids their house only makes me wonder how Germans and a few other selected countries like Japan are so different from the rest of us, how they value honour and the social regard, the way they see crime as something that's bad, period.


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