The 1977 Broadway musical returns to the big screen with this Overbrook Entertainment/Sony Pictures production surrounding a 10-year-old Harlem foster child (played by Beasts of the Southern Wild's Quvenzhané Wallis) taken in by a calculating billionaire (Jamie Foxx) who's campaigning to be mayor. Abandoned by her biological parents as a baby, Annie (Wallis) spends every moment of every day attempting to avoid the wrath of her cruel foster mother Miss Hannigan (Cameron Diaz). Thing start to look up for Annie, however, when she has a very public encounter with Will Stacks (Foxx), a local cell-phone mogul with mayoral ambitions. Stacks campaign isn't going too well until he meets Annie and invites her into his home at the suggestion of his trusted top assistant Grace (Rose Byrne) and his ambitious PR advisor Guy (Bobby Cannavale). Meanwhile, what was originally conceived as a PR stunt to win over skeptical voters becomes something much more personal when the jaded tycoon realizes his ...
In late 2014, Charles Strouse, composer of the original musical's score, gave an interview to Vanity Fair in which he talked about what he liked and didn't like about this movie adaptation. He said that although Jay Z consulted him in the initial stages, and he "was paid handsomely for my share of the rights," Strouse and the other original creators did not get to revise and update their own songs, or write any of the new songs in the movie. Strouse enthusiastically endorsed Quvenzhané Wallis in the lead role, calling her performance "amazing." He also liked the idea of casting non-white actresses in the role, something he said he'd been lobbying for since the first Broadway run in the 1970s. See more »
When Annie is about to sing "I Think I'm Going To Like It Here" she jumps on the second stone in the water display but the camera quickly cuts to another angle where she has jumped on the first stone. See more »
There have been worse politicians than him.
I know. And I got them elected.
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The first part of the credits feature the finale number as well as a number of outtakes. See more »
Modern-day adaptation of the 1977 Broadway musical (of the same name), which was based on the 1924 comic strip 'Little Orphan Annie'. It stars Quvenzhane Wallis (of 'BEASTS OF THE SOUTHERN WILD' fame), as Annie, and Jamie Foxx, as billionaire Will Stacks (an update on the Daddy Warbucks character, from the comic and musical). It costars Rose Byrne, Cameron Diaz, Bobby Cannavale, David Zayas and Adewale Akinnuoye-Agbaje. It was directed by Will Gluck (who also directed 'EASY A' and 'FRIENDS WITH BENEFITS') and written by Gluck and Aline Brosh McKenna. I don't think it's nearly as enjoyable as the 1982 film version (which I grew up on) but the music is still good (and there's three new songs).
The story, once again, centers on a ten-year-old orphan named Annie (Wallis). She lives at the home of a mean alcoholic, named Colleen Hannigan (Diaz), with four other foster children. Colleen is very abusive to the kids, constantly making them clean her apartment, and only takes care of them so she can collect money from the state. Annie dreams of being reunited with her parents, who promised they'd come back for her (long ago). She runs into New York City mayoral candidate Will Stacks (Foxx), while running home one day, and falls to the ground in the streets. Stacks saves her from being hit, by a truck, and the incident is caught on video. The video then goes viral and Stacks sees it as an excellent opportunity to save his failing campaign. An odd relationship develops between the two.
The film is filled with corny jokes, and bad acting, and it's even more cheesy than the 1982 movie (which I still love, for nostalgic reasons). The music is great, still though (especially my favorite: 'It's the Hard Knock Life'), and the movie does have a positive and upbeat message for kids (like it's source material). It's other saving grace is Quvenzhane Wallis, who has some really powerful scenes (towards the end of the film). She could have delivered another award worthy performance, if her part had been written a little better (she is nominated for a Golden Globe though, but doesn't quite deserve it). For those reasons the movie isn't horrible but the 1982 version is much better.
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