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Let's Be Cops (2014)

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2:30 | Trailer

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Two struggling pals dress as police officers for a costume party and become neighborhood sensations. But when these newly-minted "heroes" get tangled in a real life web of mobsters and dirty detectives, they must put their fake badges on the line.

Director:

Luke Greenfield
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Popularity
3,981 ( 597)
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jake Johnson ... Ryan
Damon Wayans Jr. ... Justin
Rob Riggle ... Segars
Nina Dobrev ... Josie
James D'Arcy ... Mossi
Keegan-Michael Key ... Pupa
Andy Garcia ... Brolin
Jonathan Lajoie ... Todd Cutler
Tom Mardirosian ... Georgie
Natasha Leggero ... Annie
Rebecca Koon ... Lydia
Joshua Ormond ... Little Joey
L. Warren Young ... Jackson
Nelson Bonilla ... Pasha
Brian Oerly ... Goran
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Storyline

It's the ultimate buddy cop movie except for one thing: they're not cops. When two struggling pals dress as police officers for a costume party, they become neighborhood sensations. But when these newly-minted "heroes" get tangled in a real life web of mobsters and dirty detectives, they must put their fake badges on the line. Written by 20th Century Fox

Plot Summary | Plot Synopsis

Taglines:

Fake Cops. Real Trouble.

Genres:

Comedy | Crime

Motion Picture Rating (MPAA)

Rated R for language including sexual references, some graphic nudity, violence and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English | Spanish

Release Date:

13 August 2014 (USA) See more »

Also Known As:

Untitled Luke Greenfield Project See more »

Filming Locations:

Atlanta, Georgia, USA See more »

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Box Office

Budget:

$17,000,000 (estimated)

Opening Weekend USA:

$17,813,722, 15 August 2014, Wide Release

Gross USA:

$82,390,774

Cumulative Worldwide Gross:

$138,224,951
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby | Datasat | SDDS

Color:

Color (ACES)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

At the end of the movie one of the officers on muster has the name tag Nicholas Thomas, the same name as one of the writers. See more »

Goofs

At the end, Ryan is driving a real police car. You can see the license plate is a newer style California 'commercial' plate - a police car would be an exempt plate. See more »

Quotes

Pupa: It means suck balls and cock, you cock sucka.
See more »

Crazy Credits

Another montage of Ryan and Justin posing as cops is shown during the end credits. See more »

Connections

References The Fly (1986) See more »

Soundtracks

Epic Intro
Written by Danny Saber and John Houlihan
Performed by Danny Saber
Courtesy of DSR and Tasty Media Music
See more »

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User Reviews

 
How Can We Get People To Hate Cops Even More?
15 August 2014 | by FilmMuscleSee all my reviews

In an unbelievable turn of events, a comedy, that promotes the badass, crime-stopping life that's seemingly led by a standard police officer, releases at the height of a colossal controversy in which the true belligerent, imperious nature of the police has become ever more apparent, thus blighting the film's humor with an ominous undertone. In reality, a viewer's enjoyment of a particular movie doesn't solely stem from the actual content's quality but also from the experience in and of itself—the people you're with, the ambiance you're encompassed by, etc. This has never been more evident, but at the same time, it complexly diverts into two separate paths of sentiment: one of sheer fun as the rest of the audience's laughter and elation mixes in with mine and produces a tremendous atmosphere heretofore mentioned, and the other of perplexity—or perhaps, even, repulsion.

Now, I don't want to pose as the killjoy, but the pure obnoxiousness evinced in this film is quite overwhelming. At the very start, you have two men (Ryan and Justin) who're truly lost in their lives and have no idea of what their next step in life is, surrounded by jerks who continuously remind them of their stunted growth in potential careers. A depressing aura sets in as the sheer relevance of this predicament becomes realized, which makes you hold on in even greater anticipation for the fun to commence. Lo and behold, suddenly, that dispiriting tone of the opening transforms into the very opposite as these two disparately personified friends are inflicted with a contagious idea that leads them to don authentic police uniforms and henceforth further into their imitation of a law enforcement officer. What follows is a string of morally reprehensible acts on their part merely because they can—they obtain an (spurious) authoritative status and instantly decide to assert their power over regular people, belittling them through all kinds of mockery.

Oftentimes, you can't help but laugh hysterically—I know I did—but at the same time, you begin to question your own sense of humor and the exact decency of our two (deranged) protagonists who we're following and guffawing along with throughout. Even though plenty of scenes lead to golden hilarity, the characters involved behave rather moronically and nonsensically. Who thought it'd be a great idea to speedily drive through a soccer field, populated with adolescents, in a police car just for the gasconade of it? Ryan, the genius. Who would be that franticly avid to turn himself into the police? Justin, the upstanding citizen. One also would assume that individuals couldn't possibly be this overt in their cluelessness and disquietude, undeniably arousing suspicion from everyone around, but these two imbeciles are.

In addition, the plot relies on one contrivance after another—the villains are omnipresent to a laughable degree, and characters somehow run into each other at the perfect time to initiate the next plot point. In essence, this could best be described as an entertaining and laugh- out-loud funny "guilty pleasure"; though illogical decisions and plot holes profuse its every minute, Let's Be Cops ultimately delivers the laughs and thrills, especially given the fact that its last act suddenly shifts into a crime thriller with a few satisfying twists and turns up its sleeve.

Rob Riggle, Andy Garcia, and Keegan-Michael Key make very memorable appearances with the latter portraying an eccentric Latino nutcase who speaks amusing broken English and is bedecked with tattoos and various jewelries. When it concerns laughter, this film certainly comes equipped with uproarious surprises and harmonious chemistry between its two leads (Jake Johnson playing the laidback, imprudent type and Damon Wayans Jr. the more uptight, circumspect partner-in-crime). All in all, the best advice I could give to those still curious about seeing the movie: go in, forget about everything, cease any level of thought- processing, and have a good time!


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