The Suns are a typical Hong Kong family: May, forty something, works for a trading company; her husband, Bing, works as a low-grade civil servant, and Allen, their teenage son, is still at ... See full summary »
"The Way We Are" tells the story of a hardworking, widowed, single mother (Mrs. Cheung) and her teenage son (Ka-on) living in the troubled housing estate of Tinshuiwai, a suburb regularly featured in the news for all the wrong reasons.
Hee Ching Paw,
Cheuk Man Au
After the Sino-Japanese War, Kwei Dz, one of the family members of Japanese soldiers accepted a Chinese officer's proposal and remained in China. Later they had a daughter named Ann. The ... See full summary »
Tan Lang Jachi Tian
Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime Syndicates.
Ordinary Heroes is a 1999 Cantonese-language film directed by Ann Hui. It was co-produced by Hong Kong and China. It concerns social reform activists in Hong Kong. The film's Chinese title ... See full synopsis »
Anthony Chau-Sang Wong,
Starts at the end of the story, with the brutal murder by a man of his wife and daughters. Hui gradually unmasks the idyll of the peaceful family and that of Hong Kong as the promised land for gold seekers.
Ariel Hiu-Man Chan
A cop is forced into early retirement due to retinal damage. But after witnessing a bank robbery along with a female inspector - who believes he has acute senses - they team up in hope to solve the case.
Following on from the Royal Tramp I, after discovering that the Empress is actually Lone-er, a member of the St Dragon Sect, and that she imprisoned the real empress. Lone-er is bent on ... See full summary »
The film received a small release in Hong Kong in September 2011 in order to qualify for the 84th Annual Academy Awards. However it didn't get a wide release in the same country until March 2012. See more »
'A simple life' is a film about human kindness. About caring for others. About harmonious human relationships. Does this sound cheesy? It's not meant that way. The film shows how caring for one another can make a difference, but it's never sentimental and there's no tear jerking at all.
The story centres around A Tao, a housekeeper who cooks and cleans for film producer Roger, who is not married and travels a lot. When returning home from one of his travels from Hong Kong to mainland China, A Tao doesn't open the door. She has had a stroke and after her stay in the hospital, she moves to an old people's home. Roger visits her regularly and gradually they become closer. At the start of the movie they are employer and employee, at the end they are friends.
Director Ann Hui shows this process with small, symbolic scenes. When A Tao serves Roger his food in one of the first scenes, only one word is spoken, when she asks him to move something on the table to make room for the dish she has prepared. The contrast with another key scene, later on in the movie, is huge. After A Tao has recovered from the stroke, Roger takes her to the first screening of his new film and introduces her to movie stars as his godmother. Afterwards, they walk away hand in hand, chattering affectionately about the film business.
A Tao visibly enjoys this party, and the attention she receives from her 'godson'. This is just one of the examples of the wonderful acting by Deannie Yip, a famous actress in the Hong Kong film industry but unknown to the rest of the world. In this film, she seemingly effortlessly plays A Tao first as a humble servant, then as a physically handicapped patient and also as a coquettish lady. How wonderful it must have been for her to receive a 'best actress'-award at the Venice Film Festival for her part as A Tao.
The film focuses on the relationship between Roger and A Tao, and the development of their mutual appreciation. Apart from that, not much really happens. There are some humorous little scenes that will make you smile, as well as some more emotional ones. This is a slow and low-profile film, to be appreciated by a typical art-house audience.
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