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The Nun (2013)

La religieuse (original title)
Not Rated | | Drama | January 2015 (USA)
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1760s France. Suzanne is shocked when her bourgeois family sends her to a convent. There she faces oppression and torment, leading her to fight back and expose the dehumanizing effect of cloistered life.

Director:

Guillaume Nicloux

Writers:

Denis Diderot (novel), Guillaume Nicloux (adaptation) | 1 more credit »
1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Pauline Etienne ... Suzanne Simonin
Isabelle Huppert ... Supérieure Saint-Eutrope
Louise Bourgoin ... Supérieure Christine
Martina Gedeck ... Madame Simonin, mère de Suzanne
Françoise Lebrun ... Madame de Moni
Agathe Bonitzer ... Soeur Thérèse
Alice de Lencquesaing Alice de Lencquesaing ... Soeur Ursule
Gilles Cohen Gilles Cohen ... Père de Suzanne
Marc Barbé Marc Barbé ... Père Castella
François Négret François Négret ... Maître Manouri
Lou Castel ... Baron de Lasson
Nicolas Jouhet Nicolas Jouhet ... Prêtre Sainte-Marie
Pascal Bongard ... L'archidiacre
Pierre Nisse ... Marquis de Croismare
Fabrizio Rongione ... Père Morante
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Storyline

France, in the 1760s. Born to a bourgeois family, Suzanne (Pauline Etienne) is a beautiful young girl with a natural talent for music. Despite her faith, she is dismayed when her parents send her off to a convent, expecting her to become a nun. Suzanne first resists the rules of the convent, but soon finds out that she is an illegitimate child, leaving her no other option than to pronounce her vows and suffer the consequences of her mother's sin. She soon wants to escape the religious path and is trying to revoke her vows when the Mother Superior, who had brought her comfort and solace, dies. Her successor, Sister Christine (Louise Bourgoin), turns out to be a sadistic and cruel Mother Superior, inflicting the worst forms of humiliation upon Suzanne, such as depriving her of food and clothing. Suzanne is finally transferred to another convent, where she discovers another kind of Mother Superior (Isabelle Huppert), who develops an inappropriate affectionate bond with her... Adapted ... Written by lletaif

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Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Official Sites:

Official Facebook

Country:

France | Germany | Belgium

Language:

French | Latin

Release Date:

January 2015 (USA) See more »

Also Known As:

La religiosa See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Connections

Version of The Nun (1966) See more »

Soundtracks

The Well-Tempered Clavier (Book I: Prelude and Fugue No.1 in C Major)
Written by Johann Sebastian Bach
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User Reviews

 
Get thee to a nunnery... though perhaps not this one
8 January 2014 | by shawneofthedeadSee all my reviews

Imagine being sent to a convent against your will. Imagine taking a religious vow in which you don't personally have faith. Imagine discovering that the treacherous currents of guilt, power, control and sex remain every bit as relevant within a nunnery as outside of it. Such is the tragic predicament in which the film's titular nun finds herself in this handsomely-shot - if not entirely well-executed - adaptation of 18th-century French philosopher Denis Diderot's controversial novel.

With the family coffers drained for the dowries of her two elder sisters, Suzanne Simonin (Pauline Etienne) is sent to a convent. She has no desire to be there, and makes that known to the kindly abbess who takes care of her. When her benefactress mysteriously dies, convent life rapidly becomes all the more complicated. Suzanne finds herself treading far murkier waters, her wellbeing completely at the mercy of the cold, unforgiving Supérieure Christine (Louise Bourgoin) and the overly attentive Supérieure Saint-Eutrope (Isabelle Huppert).

For much of its running time, The Nun explores Suzanne's plight with a steely depth and determination that's fascinating to watch. There's an icy tension to her confrontations with Supérieure Christine: these are rife with politics, power and drama, as the flock of nuns dutifully turn against Suzanne with the capricious menace of school-children on a playground. Etienne is wonderful throughout, playing Suzanne's rebellious spirit as convincingly as she does her moments of surrender and despair.

It's when the usually magnificent Huppert appears on the scene that The Nun stumbles badly. Huppert's character is drawn in broad, garish strokes, with none of the depth, complexity and subtlety of which she is so very capable. Almost laughably, Supérieure Saint-Eutrope appears to be little more than a fickle, amorous gargoyle leeching on the younger nuns in her charge.

Perhaps that's partly the point - it could be a tip of the hat to the fact that Diderot's novel started out as an elaborate practical joke on a friend, rather than a genuinely impassioned treatise on the state of the church. Even so, the shift in tone from considered to campy is abrupt and, ultimately, too much to bear.


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