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Blue Jasmine (2013)

PG-13 | | Drama | 23 August 2013 (USA)
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A New York socialite, deeply troubled and in denial, arrives in San Francisco to impose upon her sister. She looks a million, but isn't bringing money, peace, or love...

Director:

Woody Allen

Writer:

Woody Allen
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Popularity
2,070 ( 791)

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Cast

Cast overview, first billed only:
Cate Blanchett ... Jasmine
Joy Carlin Joy Carlin ... Woman on Plane
Richard Conti ... Woman's Husband
Glen Caspillo Glen Caspillo ... Cab Driver
Alec Baldwin ... Hal
Charlie Tahan ... Young Danny
Annie McNamara ... Jasmine's Friend Nora
Sally Hawkins ... Ginger
Daniel Jenks ... Matthew
Max Rutherford Max Rutherford ... Johnny
Andrew Dice Clay ... Augie
Tammy Blanchard ... Jasmine's Friend Jane
Kathy Tong ... Raylene
Ted Neustadt Ted Neustadt ... Hal and Jasmine's Friend
Andrew Long Andrew Long ... Hal and Jasmine's Friend
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Storyline

Jasmine French used to be on the top of the heap as a New York socialite, but now is returning to her estranged sister in San Francisco utterly ruined. As Jasmine struggles with her haunting memories of a privileged past bearing dark realities she ignored, she tries to recover in her present. Unfortunately, it all proves a losing battle as Jasmine's narcissistic hangups and their consequences begin to overwhelm her. In doing so, her old pretensions and new deceits begin to foul up everyone's lives, especially her own. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material, language and sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English

Release Date:

23 August 2013 (USA) See more »

Also Known As:

Jasmine French See more »

Filming Locations:

New York City, New York, USA See more »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$612,064, 28 July 2013, Limited Release

Gross USA:

$33,405,481

Cumulative Worldwide Gross:

$99,206,215
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Woody Allen's third film with a 2.35:1 aspect ratio, after Manhattan (1979) and Anything Else (2003). Unlike those films, which were shot with anamorphic lenses, this was shot with spherical lenses in Super 35. See more »

Goofs

When we see Ginger and Al walking along the beach promenade the morning after the party, Ginger has a white handbag. She was carrying the pricey yellow Fendi (purchased for her by Jasmine in NYC) when she was at the party and she and Al have obviously been out all night. See more »

Quotes

[last lines]
Jasmine: [talking to herself] It's fraught with peril. They gossip, you know, they talk. I saw Danny. Yes, did I tell you? He's getting married. A weekend in Palm Beach means I can wear... what could I wear? I can wear the Dior dress I bought in Paris. Yes, my black dress. Well, Hal always used to surprise me with jewelry. Extravagant pieces. I think he used to buy them at auction. It's so obvious what you're doing. You think I don't know. French au pair.
[Blue Moon begins playing]
Jasmine: This was ...
See more »

Connections

Featured in MsMojo: Top 10 Female Antiheroes in Movies (2016) See more »

Soundtracks

Welcome to the Night
Composed by Andrew Bojanic, Wendy Page & James Fenton Marr
Courtesy of Extreme Music
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User Reviews

 
One of Woody Allen's most unsuspecting heavyweight films in a long time.
9 August 2013 | by Sergeant_TibbsSee all my reviews

Sometimes it feels like Woody Allen is deliberately hit and miss. Every other film appears to be a winner so it's become easy to just skip the mediocre ones. I thought Midnight In Paris was pretty good but I felt like its idea wasn't explored well enough and it became too repetitive. Blue Jasmine is a film that feels like it'll be another basic story at first then as the tragedy slowly unravels, it becomes all the more fascinating. At first the film's structure of flashbacking without transition is a little frustrating as the present time doesn't give you much to chew on in the first place, but it soon becomes clear that this was the only way to tell this brilliant and complex story of a woman's place in the world. Cate Blanchett is setting the reviews on fire and she certainly deserves it. I've always loved her engrossing theatrical style in films like The Aviator and The Curious Case of Benjamin Button and I've missed her since.

Here she is in full force as she switches from glamour to glare seamlessly and effortlessly. Blanchett has often played strong women and she tiptoes the line of Jasmine's strength and vulnerability both with and without sympathy. It's incredible to watch. Although I was concerned I was going to only appreciate the performance and not connect with the character, I ended up finding her struggle to feel useful in the working world and not knowing how to achieve her ambitions to cut deep into the first world human anxieties about identity and self- worth. It's great to have a film that addresses those issues so earnestly, without feeling self- pitying. Although the spotlight is on her, there's plenty of room for the supporting players to shine with the delightful comic relief performances from Louis C.K., Michael Stuhlberg and Max Casella and deceptively charming performances from Alec Baldwin, Andrew Dice Clay and Peter Sarsgaard. The real talent on the side belongs to Sally Hawkins and Bobby Cannavale who give compelling and heartbreaking performances.

I like how Allen has such confidence in his shooting style of simple wides and closeups that he doesn't let it get in the way of the story but sometimes it does feel bland rather than just Woody's brand. It sometimes feels like the story is taking uninteresting broad strokes with its archetypes but when the details come in like a mystery novel, they enrichen the story and leave just before they drown you making you want more. Perhaps Allen could've made a better job of making me intrigued in the details but that makes the pay-offs all the more sweeter. However, I'm not quite sure what to make of the ending, perhaps Allen is trying to say there's some people who can and can't be fixed, I'm not sure, but it's a fascinating tragic comic tale nonetheless. Maybe it's intended as a punishment film regarding the sin of greed. That would make sense though it wouldn't be as satisfying. It's been compared to A Streetcar Named Desire a lot but I don't remember much of that story despite having seen it twice. I think I prefer Blue Jasmine. One of Allen's most unsuspecting heavyweight films in a long time.

8/10


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