Following the tragic end of her brief superhero career, Jessica Jones tries to rebuild her life as a private investigator, dealing with cases involving people with remarkable abilities in New York City.
When a sabotaged experiment gives him super strength and unbreakable skin, Luke Cage becomes a fugitive attempting to rebuild his life in Harlem and must soon confront his past and fight a battle for the heart of his city.
Set a few months after the events of the second season of Daredevil, and a month after the events of Iron Fist, the vigilantes Daredevil, Jessica Jones, Luke Cage, and Iron Fist team up in New York City to fight a common enemy: The Hand.
In 1946, Peggy Carter is relegated to secretarial duties in the Strategic Scientific Reserve (SSR). When Howard Stark is accused of treason, he secretly recruits Peggy to clear his name with the help of his butler, Edwin Jarvis.
Spoiled billionaire playboy Oliver Queen is missing and presumed dead when his yacht is lost at sea. He returns five years later a changed man, determined to clean up the city as a hooded vigilante armed with a bow.
Ever since her short-lived stint as a superhero ended in tragedy, Jessica Jones has been rebuilding her personal life and career as a hot-tempered, sardonic private detective in Hell's Kitchen, New York City. Plagued by self-loathing and a wicked case of PTSD, Jessica battles demons from within and without, using her extraordinary abilities as an unlikely champion for those in need. Especially if they're willing to cut her a check.
Gregory P. Salinger (Jeremy Bobb) is known in the comics as the second individual to adopt the mantle of the Foolkiller. His predecessor, Ross G. Everbest, defined fools as sinners who must be eliminated by an acting agent of God, that agent being the Foolkiller. Salinger, adopted the identity and secularized the mission, defining fools as those who lacked a poetic nature an focused on superficiality and materialism. Salinger would go on to mentor a third Foolkiller, Kurt Gerhart, who would further define fools as those who pursue momentary or instant gratification at the expense of the common good. In this series, instead of fools, Salinger goes after those who he considers cheats, frauds, or others who are in positions that they did not earn. See more »
Season 1 was a MASTERPIECE / Season 2 was terrible
This review pains me to write, because I genuinely think that Season 1 was the pinnacle of serialized television. It had amazing plotting, a satisfying ending, a terrifying villain, characters that I loved, nothing superfluous, beautiful cinematography and tone. It delivered on every promise that it made.
I could not wait for Season 2. And those two years were tough. Alas it finally arrived. I knew going in that it had a tough act to follow and so I made a concerted effort to judge it on it's own merits and not to dismiss it just for failing to achieve the impossible by living up to the first.
What went wrong. Plotting: All over the place with little focus. A terrifying villain? Try NO villain. Characters that I love? Yes but the two leads are mostly kept separate from each other for some strange reason. Nothing superfluous? Carrie Ann Moss and her entire sub-plot was boring and irrelevant. Jessica's rival PI was a flat plot device. A satisfying ending? I wouldn't know, I couldn't get past episode 8. It was putting me to sleep. The season did continue to have beautiful cinematography and tone/atmosphere, but that gets no points from me if the writing is dull. Nutmeg can make good egg nog great, but it's not appetizing when eaten on it's own.
I think the biggest problem with Season 2 is that it fails to deliver on Jessica Jones' core promise: it is a sci-fi super-hero show about a tortured loner who does not want to be a superhero but is, none-the-less, forced to fight super-villains because they are threatening her and the people she loves.
In other words, Season 2 was Jurassic Park without Dinosaurs.
I'm giving the show a 5. A perfect 10 for the first season, and a 0 for the second.
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