The final installment in Ulrich Seidl's Paradise trilogy, 'Paradise: Hope' tells the story of overweight thirteen-year-old Melanie and her first love. While her mother travels to Kenya ('... See full summary »
Teresa, a fifty-year-old Austrian mother, travels to the paradise of the beaches of Kenya, seeking out love from African boys. But she must confront the hard truth that on the beaches of Kenya, love is a business.
In a suburb of Vienna during some hot summer days: A teacher who is in bondage to a sleazy pimp, a very importunate hitchhiker, a private detective on the run for some car vandals, a couple... See full summary »
Ulrich Seidls follow wealthy tourists going on safari to kill often endangered species. Some determinedly searching for trophies, others to enjoy. Even if every prey comes at a price., they... See full summary »
This is a film about the 'students ball' in Horn, the little Austrian town Seidl grew up. The movie portraits the young débutantes as well as the local notables, all of them eagerly involved in maintaining the stiff and stifling ritual.
In conurbations where hundreds of thousands live alongside one another, in the era of a highly technological society, in which communication has never played such a significant role, man ... See full summary »
Main character of this movie is Rene Rupnik, a former math teacher. He is forty years old and lives together with his mother in a desolate block of flats. Ever since his early youth women ... See full summary »
Anna Maria, a single woman in her 50s, devotes her summer vacation to doing missionary work, so that Austria may be brought back to the path of virtue. On her daily pilgrimage through Vienna, she goes from door to door, carrying a foot-high statue of the Virgin Mary. When her husband, an Egyptian Muslim confined to a wheelchair, comes home after years of absence, her life is turned upside down.Written by
poor, clichéd, ticked all boxes of a gritty art-house film
We have a loser at the focus of the story and gets humiliated in a variety of different situations. These themselves were constructed to create the classical gritty art-house feel. It feels as if made my a film school graduate who got the assignment to create a collage of gritty situations related to faith. This resulted in a storyline which had no credibility. I'm surprised that this film has received awards at festivals. It was one of the most unoriginal films I've seen. This is not only related to the story but also to lighting and general feel. On a positive note the encounters she had with "real" people was well observed but were just three excellent short films. This film reminded me in many places of films made by Peter Mullen and British Social Realism which is repeated over and over again.
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