Robbed of his birthright, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, he is forced to acknowledge his true legacy - whether he likes it or not.
When Jacob discovers clues to a mystery that stretches across time, he finds Miss Peregrine's Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.
Samuel L. Jackson
Evil sorceress Queen Ravenna's powers allow her to know that her younger sister Freya, whose powers have not yet emerged, is not only involved in an illicit affair with an already elsewhere engaged nobleman Andrew, but is also pregnant with his child. Sometime after Freya gives birth to a baby girl, Freya discovers that Andrew not only reneged on his promise of elopement with her but also murdered their child. In a grief-fueled rage, her broken heart freezes over and she kills him with her sudden emergence of powers - the elemental control of ice..
At the Winter Palace, just before he tries to jump, Eric pulls out an axe. Later after having failed the jump and crashed on the roofs, he safes himself with a axe that has a very different blade. The axe shown in the beginning would not have been able to grab the edge of the roof. See more »
What does the mirror show you? What do you see? An oft told tale. That of Snow White, how she vanquished the evil Queen Ravenna and took her rightful place on the throne. But there is another story, one you have not yet seen. One that comes long before "happily ever after."
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The world in the Universal logo turns to gold and morphs into a mirror. See more »
The Indian release was cut, in order to obtain a UA rating the distributor made reductions to the sex scene between Sara and the Huntsman as well as muting all uses of the term 'bitch' from the film's soundtrack. See more »
Castle (The Huntsman: Winter's War Version)
Written by Halsey (as Ashley Frangipane) and Lido (as Peder Losnegård)
Performed by Halsey
Orchestral Arrangements by James Newton Howard
Courtesy of Astralwerks
Under license from Universal Music Enterprises See more »
A slick and enjoyable fantasy romp, let down by a muddled plot and basic dialogue.
The Huntsman: Winter's War is great fodder for fans of the genre; the slenderly plotted film moves along at a nice pace and the cast do a decent job with what they're given. Although it's undoubtedly a cash-grab sequel (do not believe the "before Snow White" marketing), it manages to argue its case for existing fairly well. Contractual obligations aside, Hemsworth and Theron resume their roles with great gusto, with Hemsworth arguably vastly improving on his performance in the first film. Throw in Emily Blunt and Jessica Chastain and you're confronted with a pretty enviable - if surprising - cast for a film of this level.
The basic driving plot of the film is centred on Eric's (the previously anonymous Huntsman from the first outing) dubiously arranged quest to locate and return the powerful magic mirror, before it falls into the wrong (icy) hands. Accompanied by some foul-mouthed dwarfs, the scenes in the forests and fields are probably some of the better sequences in the film, if only for their tonal consistency rather than their originality. These portions of the film focus on action and comedy, and the camaraderie comes across well enough.
This quest is framed at both the start and end of the film by a strange and rather hastily delivered - yet nonetheless enjoyable - story of two sisters and a sad betrayal. Ravenna (Theron) and Freya (Blunt) are supposedly the closest of siblings who become parted by a very dark event that awakens a great power within Freya. Fleeing her sister's kingdom in a mix of despair, anger and confusion, Freya sets up home in the mysterious "North" and uses her new strength to gather children to train as her army. It is here that the two stories are tied together, with stolen children Eric and Sara (Chastain) growing to become two of her trusted Huntsmen. The scenes in the North are mostly effective and judiciously used; the muted colour palette here isn't allowed to become boring, and this mini saga is undoubtedly uplifted by Blunt's delicate performance.
If you have seen the trailers for this film and are keen to experience the full thing, go in with realistic expectations and you'll have a fun two hours; I am certain that the vast majority of prominent critics will despise this film, but it wasn't made for them. Yes, it's a patchwork production of popular elements from other sources and is generally a rather campy affair, but that's what makes it such an inoffensive and entertaining film. There is plenty to like here, if you give it a chance.
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