A video artist looking for work drives to a remote house in the forest to meet a man claiming to be a serial killer. But after agreeing to spend the day with him, she soon realizes that she made a deadly mistake.
Will and Eden were once a loving couple. After a tragedy took their son, Eden disappeared. Two years later, out of the blue, she returns with a new husband... and as a different person, eerily changed and eager to reunite with her ex and those she left behind. Over the course of a dinner party in the house that was once his, the haunted Will is gripped by mounting evidence that Eden and her new friends have a mysterious and terrifying agenda. But can we trust Will's hold on reality? Or will he be the unwitting catalyst of the doom he senses?
The director and the writers had complete creative control on the film, as it was independently produced without any involvement from major studios. See more »
During the film, it is often mentioned that cellphone service at the home where The Invitation takes place is unreliable and spotty at best, yet several times the viewer can clearly see the lights of what appears to be a nearby densely populated area. See more »
Forgiveness doesn't have to wait. I'm free to forgive myself and so are you. It's a beautiful thing. It really is.
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A powerful feature film. Despite some reminiscence (group of friends, dinner, the house atmosphere, colors) with "Coherence" is undoubtedly an original movie. A very interesting point made by the director (who had already done Girlfight and Jennifer's Body) over a possible processing of the pain of a loss, in a quite denying way, perhaps cynical, reaching extremes of aggressiveness. A lot of tension, making us doubt who you believe (or even what is real) at every step, until the crux of the matter comes; you may wait a little for that, but it's worth it. Point for the director for not using low blows. Worthwhile if you want to spend a very intense time. With regards to actors' work, "Will" comes out unscathed. "Eden" maybe a little artificial, but I think it is an intentional nuance given by the director. The rest comes off well. The screenplay is pretty good. Although it is not revolutionary, the pace is accurate, keeps the suspense, and plays with ambiguity.
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