Chuck Close (2007) - News Poster

(2007)

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Tribeca Film Festival Artists Awards participants announced by Anne-Katrin Titze - 2017-04-21 12:48:13

John Giorno's God Is Manmade for the Albert Maysles New Documentary Director honoree Photo: Anne-Katrin Titze

The roster of nine contemporary artists participating in the Tribeca Film Festival Artists Awards program, sponsored by Chanel, are Walton Ford, John Giorno seen in Aaron Brookner's Uncle Howard, Ella Kruglyanskaya, Jorge Pardo, Rh Quaytman, Sterling Ruby (Frédéric Tcheng's Dior And I), Aurel Schmidt, Ryan Sullivan, Stephen Hannock and Tara Subkoff's #Horror executive producer Urs Fischer.

Matthew Barney, Francesco Clemente, Julian Schnabel (seen in Pappi Corsicato’s Julian Schnabel: A Private Portrait at the festival) Chuck Close, Eric Fischl, Nan Goldin, April Gornik, Jeff Koons, David Salle, Cindy Sherman and Kiki Smith were some of the past contributors to Tribeca Film Festival co-founder Jane Rosenthal's Artists Awards initiative.

Urs Fischer's boomboomboom, 2016, The Transit of Venus (Melanie) for the Audience Award: Documentary Photo: Anne-Katrin Titze

This year's artworks for
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Almost Famous

Richard Phillips Gagosian Gallery Through October 20, 2012

I am running late, so I park the Ducati on the sidewalk and toss the keys to an eager production assistant. It is incredibly hot and crowded as I push my way through a crowd of background actors to the location, which has been carefully designed to look like a gallery. Wardrobe has given me an antique Ramones t-shirt (which actually has some of Debbie Harry's vintage blood on the sleeve) and a period Hugo Boss Nazi SS uniform jacket with five firing-squad bullet holes through the left lapel (vintage blood carefully removed). Also, store-torn Alexander McQueen jeans (a gift from an Olsen twin, I think) and flip-flops, which are decorated with pictures of colorful monkeys.

I stop to talk to Rachel Weisz, who seems to remember me from her chemistry reading for the part of a "kindly doctor" in Stasi Sluts II but suddenly excuses herself,
See full article at CultureCatch »

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