Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.
A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
In an adaptation of Patricia Highsmith's seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light.Written by
The Weinstein Company
In the first major critical survey of LGBT films, conducted by the BFI in 2016, Carol was named the best LGBT film of all time. [British Film Institute, "The 30 Best LGBT Films of All Time," March 21, 2016] See more »
When Carol is standing in the entrance way to the travel store to light her cigarette after visiting her attorney, when the camera views Carol through the display window the cigarette is in her left hand and her purse is tucked on the right. When camera shifts to direct shot of Carol, the cigarette is now in her right hand and the purse on the left. See more »
Oh, you've got some fucking nerve ordering me around... and, no, she's not here.
That's impossible. Because she's not at home and she's not with me. So she must be with you.
[pauses for a moment]
Yeah, you know Harge, you have a point. You've spent ten years making damned sure her only point of reference is you. Your job, your friends, your family.
WHERE IS SHE, GODDAMMIT! She's still my wife, Abby. She's my responsibility.
You know, that's some way of showing it. Slapping her with an injunction...
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I loved this film for the subtleties. Lots of lingering, carefully framed shots and closeups. Lots of quiet scenes. Lots conveyed through looks and innuendo.
Rooney and Cate captured what it's like to be nervous yet excited while falling in love. It felt real. It felt like two people unsure of themselves, offering up just a bit of their true feelings at a time and waiting for the other person to do the same before revealing more.
Kyle Chandler's performance hasn't been commented on as much as the leads, but he was just as excellent. He played the part of tortured husband well without coming off as a mere villain. I sympathized with him and even understood where he was coming from.
I thought the film captured the time period in a very unique way. Nothing was overtly flashy or Normal Rockwell 50s, and at times it even felt gritty compared to most depictions of the era, but it was really beautiful.
The film stayed with me on the ride home, and I drove in silence while I reflected on it. That's how I judge a movie. If you are the type that loves character driven films, I'd very much recommend it. If you don't handle slow burn movies well, it might not be for you.
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