A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.
A woman returns to her Orthodox Jewish community that shunned her for her attraction to a female childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality.
In an adaptation of Patricia Highsmith's seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light.Written by
The Weinstein Company
Earlier in the film the black and white movie being shown in the projector room scene is Sunset Boulevard (1950) in which Norma Desmond (Gloria Swanson) is a 50-year-old silent film star chasing after Joe Gillis (William Holden), a man half her age. Although some might speculate that it was meant to allude to the age difference between Carol (who is in her early 30s) and Therese (who is 21 years old), the scene from Sunset Boulevard was included because it is Phyllis Nagy's favorite film. She explained in an interview for The Film Experience: "It was Joe in that particular scene. It's my favorite movie, I have to get it into everything I do, and that scene in particular was the scene I chose in the script, and so it's Joe, who in that scene, is not actually saying what he means, until actually much later." See more »
Therese boards a train to "Penn Station" in New York City. It is apparent that the train is running on the Erie Railroad's Main Line. In 1952, that train would never have entered New York and instead would have terminated at Jersey City. Even today, that train terminates at Hoboken and not at Penn Station. Also, as another writer pointed out, the train announcement stated that the train would stop at Secaucus Junction, which did not exist until 2003. See more »
Oh, you've got some fucking nerve ordering me around... and, no, she's not here.
That's impossible. Because she's not at home and she's not with me. So she must be with you.
[pauses for a moment]
Yeah, you know Harge, you have a point. You've spent ten years making damned sure her only point of reference is you. Your job, your friends, your family.
WHERE IS SHE, GODDAMMIT! She's still my wife, Abby. She's my responsibility.
You know, that's some way of showing it. Slapping her with an injunction...
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Imagine how The Blue Angel Marlene Dietrich meets Audrey Hepburn in Breakfast At Tiffany's. Two goddesses in love affair. An essence and definition of love in its core distilled through different bodies and remaining a mutual enjoying of the heart. There is some cold classical feeling from the 30's in this movie, though it was set in the early 1950s in the McCarthy's era of witch-hunts. No answers are provided here and no stretched details. All is centred around Kate Blanchet and Rooney Mara.What you have to do is just to sit down,relax and enjoy the smoky narrative with a scarce dialogue.The 16 mm grainy picture, Sandy Powell's period costumes , cinematography and film editing from Edward Lachman and Affonso Gonçalves ,all well fitted in Patricia Highsmith's "The Price Of Salt" novel deliver a new conversation between the movie and the viewer. It's not about others but it's all about us. This message is truly important these days. No satisfaction in the sense and laws of tradition but how tradition have shaped us to rethink the history. As John Grant sings in Glacier "Don't listen to anyone, get answers on your own/Even if it means that sometimes you feel quite alone,No one on this planet can tell you what to believe,People like to talk a lot, and they like to deceive". There are echoes of other movies here such as the cold sentimentality of Savage Grace , Far From Heaven (from same director Todd Haynes) - another forbidden love story, Brokeback Mountain and A Single Man - both tragic waste of lives. Carol in some ways captures few finest moments from all these movies but as mentioned before it transcends one step further. It neutralises the bitter ends replacing it with hope. It's not the usual Hollywood hope but your own personal hope.It inspires you to decide,design and photograph your life. Don't wait,do it now!
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