An Iranian man deserts his French wife and her two children to return to his homeland. Meanwhile, his wife starts up a new relationship, a reality her husband confronts upon his wife's request for a divorce.
While both participating in a production of "Death of a Salesman," a teacher's wife is assaulted in her new home, which leaves him determined to find the perpetrator over his wife's traumatized objections.
On the last Wednesday before the spring solstice ushers in the Persian New Year, people set off fireworks following an ancient Zoroastrian tradition. Rouhi, spending her first day at a new job, finds herself in the midst of a different kind of fireworks -- a domestic dispute between her new boss and his wife.
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
Directed by multi-award winning filmmaker Asghar Farhadi, 'Beautiful City' is a cinematic gem not to be missed. Akbar has just turned eighteen. He has been held in a rehabilitation centre ... See full summary »
Laura, a Spanish woman living in Buenos Aires, returns to her hometown outside Madrid with her two children to attend her sister's wedding. However, the trip is upset by unexpected events that bring secrets into the open.
The Glass Agency is the story of a war veteran living in post war Iran. It depicts veterans who are suffering from social problems after the war. Society does not understand them and the ... See full summary »
Maryam (Negar Javaherian) and Reza (Shahab Hosseini) are different from other people, it's not just a simple difference, but a very big difference. They must try to prove to others they ... See full summary »
What appears to be a grand love story turns sour when parents-to-be discover that their unborn child will likely be born with serious birth defects, as a result of the mother's exposure to ... See full summary »
Coming back to accomplish the divorce procedure, Ahmad an Iranian man, arrives in Paris after four years to meet his ex-wife and her daughters from her previous marriage. He notices his ex is in a relationship with an Arab named Samir who also has a son and a wife in a coma. The relationship of the older daughter and her mother is in deterioration because the daughter thinks her mother is the cause of Samir's wife comatose state. The affairs get more complicated when the older daughter discloses something heinous she has done.Written by
Asghar Farhadi wrote the script in Persian and then lived in France for two years in order to better understand the rhythms of the French language so that he would be able to more accurately judge the translation of his script and the performance of his actors. See more »
Why don't they separate her from medical instruments?
Because they don't know if she wants to live with them or die.
She wants to die.
Why do you say that?
She wants to die. That's why she committed suicide!
See more »
All the Good Things from 'A Separation' is Relived in Le Passe
Asghar Farhadi is fast becoming my favourite storyteller of the century. Bringing Le Passe into the screen after his success with A Separation (I haven't watched Elly yet), I am happy to see the same elements (which made Separation memorable) existent in this film.
Both films at the core are focused on family drama, but different challenges altogether. Separation deals with the complexities on a religious viewpoint, and requires swift, high-level decision-making and clever communication skills to undo what could go awry easily in many places. Le Passe's challenge is different in my opinion, it is about the complications on relationship issues - something that is much more relatable to many families out there - that always appear irrational, devastating, and at times result in repercussions through generations.
Farhadi's skills as a filmmaker are unmatched - every single moment in this film is not wasted. His stories are like humanity itself, where things do not appear as they are on the surface and there is always something that more than meets the eye. Similar to Separation, in Le Passe, we see layers upon layers of twists, uncertainties, and agenda unfold and it ends up with the audience knowing that things cannot conclude with a simple solution. These factors, packed with impeccable performances by the lead cast members, are fortunately very very realistic i.e. not over-dramatic or nonsensical(though a lot of shouting war was shown).
The combination of brilliant, intelligent storytelling and impressive delivery of emotional performance is certainly what La vie d'Adèle fail to match - Le Passe is my top film to win the foreign Oscars this year!
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