A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
Linguistics professor Louise Banks leads an elite team of investigators when gigantic spaceships touchdown in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extraterrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.Written by
The team ascends to the spacecraft on a platform that is elevated with a scissors mechanism. A wide shot shows the platform half-way between ground and underside of the spacecraft as well as how much the scissors are being unfolded at this stage. Thus when coming close to the underside, the scissors should be even more unfolded. However, a brief shot shows they are less unfolded when the team arrives at the underside. See more »
I used to think this was the beginning of your story. Memory is a strange thing. It doesn't work like I thought it did. We are so bound by time, by its order.
[coddling her baby girl]
Okay. Okay. Come back to me. Come back to me. Come back to me.
[later playing with her in the yard]
Stick 'em up! Are you the sheriff in this here town? These are my tickle guns, and I'm gonna getcha!
You want me to chase you? You better run!
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Right after the cast credits, "On the Nature of Daylight" by Max Richter is given an extra credit as the "Beginning and end music" in addition to the usual soundtrack credit near the end of the credit roll. See more »
I saw this last night at the opening of the Mill Valley film Festival. Arrival is unlike any movie I've ever seen. It's about love, loss, tolerance, language and non-linear time, wrapped in a science fiction story about our first encounter with extraterrestrials.
Under director Denis Villeneuve's masterful direction, Arrival takes its time to unfold, but it gradually gets under your skin and commands your attention. The last half hour was one of the most emotional experiences I've had at the movies in a long time. There aren't many movies these days that I would call required viewing, but this is one of them. And Amy Adams is Oscar-worthy in the lead role. In fact, Arrival could also win Oscars for original score, sound, direction and Best Picture.
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