The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
Actor Riggan Thomson is most famous for his movie role from over twenty years ago of the comic book superhero Birdman in the blockbuster movie of the same name and its two equally popular sequels. His association with the role took over his life, where Birdman is more renowned than "Riggan Thomson" the actor. Now past middle age, Riggan is trying to establish himself as a true artist by writing, directing, starring in and co-producing with his best friend Jake what is his Broadway debut, an adaptation of Raymond Carver's story, What We Talk About When We Talk About Love. He is staking his name, what little artistic reputation that comes with that name and his life savings on the project, and as such will do anything needed to make the play a success. As he and Jake go through the process of the previews toward opening night, Riggan runs into several issues: needing to find a replacement for the integral supporting male role the night before the first preview; hiring the talented ...Written by
After the preview screening when Mike freaks out about his gin really being water, Riggan goes upstairs with Jake and they have a conversation. Afterwards, Riggan walks down the hall and is then greeted by Mike. When Riggan yells "Hey, out in front of the theater in ten minutes!", you can see the rest of the hall behind Riggan. Unfortunately, you can also see the pink piece of tape used for Riggan's mark to stop to talk to Jake. See more »
How did we end up here? This place is horrible. Smells like balls. We don't belong here.
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Chorus of Exiled Palestinians from The Death of Klinghoffer
Composed by John Adams
Libretto by Alice Goodman
Performed by the Orchestra of the Opéra de Lyon, conducted by Kent Nagano;
The London Opera Chorus, Directed by Richard Cooke
Courtesy of Nonesuch Records
By arrangement with Warner Music Group Film & TV Licensing See more »
This is an amazing film! Great acting and strong story, it will keep you on the edge of your seat. Some scenes had me laugh out loud. The film can get a little confusing or even perplexing at times, but in a good way. The soundtrack is original and supports the scenes brilliantly. The film is centered around a play (an adaptation of Raymond Carvers short story "What We Talk About When We Talk About Love", if you haven't read this: it is great). The cinematography couldn't be more spot one to refer to the fact that it is about theater. The magical realism might not be for everyone, and I am usually not a big fan, though in this film it gives the main character just the edge that it needs and it expresses his psyche well.
In this film, all elements work together to create a turbulent, wild story that is both highly entertaining and arty: it is exiting; it is sincere; it is intelligent and amusing. It might make your brain hurt a little.
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