The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
Actor Riggan Thomson is most famous for his movie role from over twenty years ago of the comic book superhero Birdman in the blockbuster movie of the same name and its two equally popular sequels. His association with the role took over his life, where Birdman is more renowned than "Riggan Thomson" the actor. Now past middle age, Riggan is trying to establish himself as a true artist by writing, directing, starring in and co-producing with his best friend Jake what is his Broadway debut, an adaptation of Raymond Carver's story, What We Talk About When We Talk About Love. He is staking his name, what little artistic reputation that comes with that name and his life savings on the project, and as such will do anything needed to make the play a success. As he and Jake go through the process of the previews toward opening night, Riggan runs into several issues: needing to find a replacement for the integral supporting male role the night before the first preview; hiring the talented ...Written by
In the one hour and fifty-nine minute run time of the film, there are sixteen visible edits. In the one minute and forty-seven second premiere trailer, there are over thirty edits. See more »
When Riggan is walking back to the theater in his underwear, a girl is seen and heard telling him "You look so old in person" and he replies back with "Fuck you" right before he walks into the theater doors, then later when Sam shows him his trending video, neither the girl's comment nor his reply to her are heard. See more »
How did we end up here? This place is horrible. Smells like balls. We don't belong here.
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Harmonium: III. Wild Nights
Composed by John Adams
Performed by the San Francisco Symphony (as San Francisco Symphony & Chorus), Conducted by John Adams
Courtesy of Nonesuch Records
By arrangement with Warner Music Group Film & TV Licensing See more »
I have to say I am shocked and how many bad reviews I have seen on this site for this movie. It seems to me that the majority of moviegoers who have chosen to review here are only capable of viewing a movie at face value.
This movie is clearly a satirical look at Hollywood and the constant need to remain relevant in the entertainment industry.
I will admit that the film does appear unnecessarily "artsy" in places, but some Hollywood actors love being unnecessarily artsy as they think it gives them depth.
That was the entire point of this film, for Hollywood to turn the camera on itself and expose all of it's own crap.
What I took from this film is what I have always felt about Hollywood, which is also what I love about it. Actors are inherently insecure, which is why they choose to be in an industry where there is a need for constant approval. The actors who are worth their salt risk everything to entertain...us. For that they will forever have my respect.
Definitely worth watching and worthy of it's Best Picture Oscar.
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