6.2/10
5,887
44 user 66 critic

Sweet Virginia (2017)

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A former rodeo champ befriends a young man with a propensity for violence.

Director:

Jamie M. Dagg

Writers:

Paul China (as The China Brothers), Benjamin China (as The China Brothers)
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jon Bernthal ... Sam Rossi
Christopher Abbott ... Elwood
Imogen Poots ... Lila Mccabe
Rosemarie DeWitt ... Bernadette Barrett
Odessa Young ... Maggie Russell
Joseph Lyle Taylor ... Tom Barrett
Jonathan Tucker ... Mitchel Mccabe
Garry Chalk ... Lou Hopkins
Jared Abrahamson ... Paul Anderson
Gabrielle Rose ... Rose Miller
Mike Dopud ... Mr. Barnes
Darcy Laurie ... Marty Petrowne
Scott A. McGillivray ... Lawyer (as Scott McGillivray)
Therés Amee ... Prostitute
Victoria Bidewell ... Woman in Room 128
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Storyline

A former rodeo star, with a small time life, unknowingly starts a rapport with a young man who is responsible for the violence that has suddenly gripped his small town. Every character from his loved ones to his business patrons, plays a part in the unravelling of this community. Our aged hero must face his relationships of past and present to come up against this unpredictable predator.

Plot Summary | Add Synopsis

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, some strong sexuality, language, and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Canada

Language:

English

Release Date:

21 December 2017 (Kuwait) See more »

Also Known As:

Doce Virginia See more »

Filming Locations:

Hope, British Columbia, Canada See more »

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Box Office

Gross USA:

$10,456, 3 December 2017
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color
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Did You Know?

Trivia

The China Brothers original spec script for Sweet Virginia was high on the Black List in 2012 - an annual list of the best screenplays in Hollywood yet to be produced. See more »

Soundtracks

Dance All Night
Performed by Rolla Olak
Composed and Published by Rolla Olak (SOCAN)
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User Reviews

 
death hovers
14 November 2017 | by ferguson-6See all my reviews

Greetings again from the darkness. Murders-for-hire evidently have a better success rate in real life than in movies, because cinematically speaking, they usually result in quite the mess for all involved (and some who aren't). Fresh off the 2012 Black List for best unproduced scripts, the screenplay from twin brothers Benjamin China and Paul China offers up a neo-noir with a familiar enough premise in a not-so-familiar setting.

Director Jamie M Dagg offers little chance for us to settle in, as a violent and seemingly senseless triple murder occurs within the first few minutes. We get our Bang Bang, with the Kiss Kiss soon to follow. The usually friendly game of poker among friends goes south quickly thanks to Elwood (Christopher Abbott, IT COMES AT NIGHT), a stranger in town. We soon enough learn that he is in town on "business", and now that the job is done, he expects to be paid.

Elwood not-so-patiently awaits his pay day while staying at the Sweet Virginia Motor Motel. It's a simple inn inherited by, and now run by, Sam Rossi (Jon Bernthal) – a former rodeo star who these days battles multiple physical issues with pain dulled only by his morning weed ritual, and an ongoing affair with one of the ladies recently widowed by the Elwood's gun. Sam is shaggy looking, mellow and quite a pleasant fellow who seems like many in this quite small Alaska town … living here for the solitude and anonymity.

Imogen Poots plays Lila, and Rosemarie DeWitt plays Bernadette. Their unhappy marriages of 3 and 18 years respectively have ended abruptly, and while neither is much into grieving, they both have new problems with which to deal. There is an unusually scarce police presence given that a triple homicide of local citizens has just occurred, but the focus here is on the four main characters, and especially on the two men.

Elwood is exceedingly high-strung and prone to violent outbursts, while Sam is congenial to all, and generous with his time and advice to local high schooler and motel employee Maggie (Odessa Young). To ensure that no viewer is left behind, there is a diner scene that emphasizes the polar opposite personalities of Elwood and Sam. Rather than pack the intended punch, it mostly just comes across as obvious and unnecessary. And that in a nutshell, is what keeps the film from being a bit more intriguing.

While there is not a lot of excess talking, death hovers over most scenes and conversations. The connection between Sam and Elwood marks the sometimes easy bond of strangers, while the fractured marriages of Lila and Bernadette show how character flaws are unveiled over time. Jessica Lee Gagne's cinematography and the slow pacing to match the setting are both to be admired, but the film lacks any type of artistic or stylish differentiation, and relies solely on the fine performances of the cast. It's certainly no BLOOD SIMPLE or HELL OR HIGH WATER, but it's interesting enough to hold attention for 90 minutes … despite the mess being all cleaned up and tidy by the end.


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