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Greta (2018)

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2:31 | Trailer
A young woman befriends a lonely widow who's harboring a dark and deadly agenda toward her.

Director:

Neil Jordan

Writers:

Ray Wright (screenplay by), Neil Jordan (screenplay by) | 1 more credit »
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Popularity
1,730 ( 222)
1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Isabelle Huppert ... Greta Hideg
Chloë Grace Moretz ... Frances McCullen
Maika Monroe ... Erica Penn
Jane Perry ... Animal Shelter Worker
Jeff Hiller ... Maitre D' Henri
Parker Sawyers ... Park Hill Manager
Brandon Lee Sears Brandon Lee Sears ... Flower Delivery Man
Arthur Lee ... Korean Couple
Rosa Escoda ... Korean Couple
Jessica Preddy ... Park Hill Bartender
Thaddeus Daniels ... Officer Deroy
Raven Dauda ... Officer Regan
Colm Feore ... Chris McCullen
Zawe Ashton ... Alexa Hammond
Nagisa Morimoto Nagisa Morimoto ... Park Hill Waitress
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Storyline

Frances (Chloë Grace Moretz), a sweet, naïve young woman trying to make it on her own in New York City, doesn't think twice about returning the handbag she finds on the subway to its rightful owner. That owner Greta (Isabelle Huppert), an eccentric French piano teacher with a love for classical music and an aching loneliness. Having recently lost her mother, Frances quickly grows closer to widowed Greta. The two become fast friends - but Greta's maternal charm begin to dissolve and grow increasingly disturbing as Frances discovers that nothing in Greta's life is what it seems in this suspense thriller directed by Academy Award winner Neil Jordan.

Plot Summary | Plot Synopsis

Taglines:

Everyone Needs a Friend See more »


Motion Picture Rating (MPAA)

Rated R for some violence and disturbing images | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site | See more »

Country:

Ireland | USA

Language:

English | Hungarian | French | Korean

Release Date:

1 March 2019 (USA) See more »

Also Known As:

Greta See more »

Filming Locations:

Dublin, Ireland See more »

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Box Office

Opening Weekend USA:

$4,481,910, 3 March 2019

Gross USA:

$10,532,219

Cumulative Worldwide Gross:

$18,653,107
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The restaurant scenes were shot over the space of a week. By the end of the week, the smell of fish on set was so bad, it made people need to leave early. See more »

Goofs

When Greta and Frances get in the cab, the medallion number on the license plate doesn't match the one on the top of the cab, which they have to in NYC. See more »

Quotes

Frances McCullen: My friends say I'm like chewing gum.
Greta Hideg: Chewing gum?
Frances McCullen: Yeah. I tend to stick around.
See more »

Connections

Referenced in Midnight Screenings: Climax/Greta (2019) See more »

Soundtracks

Cult of Love
Written by Kristin Gundred (as Kristin Welchez)
Performed by Dum Dum Girls
Courtesy of Sub Pop Records
See more »

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User Reviews

 
Phenomenally Acted, But You've Seen It All Before
3 March 2019 | by TheMovieDoctorfulSee all my reviews

The whole "eccentric stalker" psychological thriller sub genre has honestly jumped the shark. Few films in the genre do anything to set themselves apart or stay memorable or even interesting. Unfortunately, Greta can't seem to buck that trend, to the point of being painfully predictable. I found myself predicting major plot points and character beats way before they actually happened, negating any sort of suspense right off the bat. I get the commentary on the well intentioned naivety of the millennial generation, I get the commentary on how society exploits the "niceness" of young women, I get the thematic significance of the socio-economic disparity between Greta and Frances, I've just seen it all done before so many times and done far more interestingly.

The film also has serious problems with pacing. It moves far too fast for me to buy Greta's obsession with Frances and it felt jarring how quickly the film moved through their relationship. This really hurts the whole movie as a whole as reveals that should really leave an impact on me just end up falling flat.

Despite all of this, I still found myself entertained by Greta. A lot of that comes down to just how outstanding the acting performances were. Isabelle Huppert was the entire reason I went to go see this movie and she does not disappoint in the slightest, completely stealing the show as Greta. The class and sophistication that she brings to the role makes the character alluring, fascinating and even darkly likable despite the horrific and evil things she ends up doing. You can absolutely tell she's having a blast chewing the scenery and you can definitely see why Frances begins the film so drawn to her. That being said, when her darker nature is revealed, Huppert is genuinely terrifying in the focused madness that she brings to this character. Nobody could have played her better.

Chloe Grace Moertz is also very solid. She's always been a solid actress and that's no different here, bringing a real wide eyed sweetness and innocence to the character of Frances that constantly had me rooting for her to escape Greta's clutches. She gives off an almost Snow White-esque vibe where her kindness and capacity for unconditional trust almost becomes her downfall and Moertz is honestly quite charming in the role.

I was really impressed by Maika Monroe, which is something I never thought I would say. She brings a radiant confidence and strength to her role of Erica and her comedic timing is surprisingly on point as well. She can act! Who knew?

I'll also give credit to the visual direction. While the writing leaves much to be desired, Neil Jordan's elegant, Gothic sensibilities bring a real beauty and glamour to the production. This is a gorgeous looking film and Jordan definitely manages to capture the enchanting nature of New York City from the eyes of a young Bostonian girl.

Overall, Greta is worth a a watch for the performances and the direction, but it's hardly worth catching in theaters. This has Netflix written all over it and I'm not sure if it really even justified a theatrical release. That being said, it's still a decent enough thriller to watch. It's painfully cliched and completely predictable, but it's a watchable thriller all the same.


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