A biologist's husband disappears. She puts her name forward for an expedition into an environmental disaster zone, but does not find what she's expecting. The expedition team is made up of the biologist, an anthropologist, a psychologist, a surveyor, and a linguist.
Anya tells Lena when they first meet at the Southern Reach that "The people here put themselves to sleep in fetal positions." Earlier, when Lena wakes up for the first time at the Southern Reach after getting sedated, she is seen stirring from a fetal position. See more »
When the team takes shelter in the abandoned military base, UK style electrical outlets can be seen, despite the film being set in the US. See more »
What did you eat? You had rations for only two weeks. You were there for nearly four months.
I don't remember eating.
How long do you think you were in there?
Days. Maybe weeks?
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Performed by Beak> (as BEAK>)
Written and performed by Billy Fuller, Geoff Barrow and William Young
Licensed courtesy of Invada Records UK 2017
Published by Kobalt Music Publishing Ltd See more »
Remember when alien movies were just about little green men or robot humanoids coming to conquer Earth? Annihilation is another in a long line of modern sci-fi films to be more interested in the philosophy than the practicality of extra-terrestrials. But unlike Under the Skin or Europa Report, its ponderous nature never quite reaches its point. It's definitely a metaphor for something, but what? Aging? Marriage? Dementia? Time? Death? Perhaps a second-viewing would clear some of this up, but then I'd have to slog through this movie again.
An unknown object has crashed onto earth, causing a slowly growing "shimmer" wall that seems to make anyone who enters it disappear. In so many ways, it's just a lesser version of classic films. Like Tarkovsky's Stalker, it's comfortable with saying "I don't know", but more out of confusion than intrigue. Like Villeneuve's Arrival, it uses alien beings to talk about humanity, but with little emotional impact. Like Carpenters' The Thing, its unexpectedly and brutally gory, though not as technically impressive.
However, it's a hard movie to write-off or be complacent about, given its strangeness and ambition. The bursts of horror are fun and unique, with cool creatures and a steady directing hand. Most of all, it's visually striking cinematography and often quite beautiful production design are undeniable. Most of its issues seem to stem from the writing, which isn't just thematically unfocused, but also just full of cliched dialogue.
With Ex Machina, Alex Garland made a strong impression with that debut. And even with all of Annihilation's script problems, his camera's eye and brainy tendencies keep him as a filmmaker worth watching.
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